Ok. You are right. I am a little late in getting our "Top Albums of 2013" out for you all. Believe me, I know. I mean, being so far into the month of February already, it seems that 2013 is so far ago. I hope that my lapse in time doesn't allow you to miss the value of each one of these albums.
So here they are. The top albums of 2013. Chosen from you, our followers.
As one of the most-sung artists in the church, Chris Tomlin writes music that connects people to the heart of Jesus and leads them to a greater worship of him. After six studio albums and numerous appearances on Passion live worship albums, Chris released his first-ever greatest hits collection, How Great Is Our God: The Essential Collection, featuring three all-new recordings of classic Tomlin worship songs. Included is a new recording of "How Great Is Our God," which features guest appearances from renowned international worship leaders, singing parts of the song in their native language.
Renew your spirit with this collection of the Top 25 Praise Songs: 2014 Edition! Featuring twenty-five of the most refreshing worship songs made popular by today's best selling artists, this 2-CD compilation is a must-have for fans of praise and worship music.
A sampling of the songs include: 10,000 Reasons (Bless The Lord), Our God, Forever Reign, - Glory To God Forever, Your Love Never Fails, Jesus Messiah, How He Loves, Hosanna and Amazing Grace (My Chains Are Gone).
Come To The Well is an appeal to Christians to let the "living water" of Christ well up in them, overflowing into the relationships we have around us, both inside the church and beyond.
Inspired by the story of Jesus talking to the woman at the well, the title track, "The Well," illuminates that main theme. With no-fluff lyrics and a genuine heart of worship, Casting Crowns sings truth about the Christian life journey, rewarding their listeners with a musically progressive sound that has widespread appeal.
Only one record a year brings you the biggest Christian artists and songs! Featuring your favorite artists and their best songs of the year, WOW Hits 2014 captures the songs that are impacting our world. With songs about finding strength, placing your hope in Jesus and the promise of everlasting life, WOW Hits 2014 is filled with 30 uplifting songs from top artists, as well as three bonus tracks from up-and-coming artists.
Also available is the deluxe version that contains features six additional songs.
Is it fair that Chris Tomlin have two albums listed on our Top Albums of 2013? Only if they are good enough. And yes, Burning Lights is just that.
One of the most storied worship leaders of our time, Chris Tomlin returns with his latest album, Burning Lights. As the songwriter behind the worship favorites "How Great Is Our God," "Jesus Messiah," "Holy is the Lord" and "Forever," Chris continues to write songs that connect people to the heart of Jesus and lead them to a greater worship of Him.
Burning Lights features the single "Whom Shall I Fear (God of Angel Armies)" and an all-new recording of the radio hit "White Flag."
Third Day spent a generous part of 2012 immersed in the recording of its studio album, Miracle. The album, Third Day's 17th career offering, was recorded within the walls of the band's own state-of-the art studio, The Quarry, in Atlanta, GA, with the help of veteran rock producer Brendan O'Brien.
From the opening track, "Hit Me Like A Bomb," it is clear that Third Day means business when they say they want to bring something new to the table. Musically, there are sounds that have never been on a Third Day album, including layered guitars, layered harmonies and sing-a-long gang vocals. Music styles range from pulsating rock to acoustic pop-rock, yet the classic Third Day sound everyone loves is still there - but refreshed and rejuvenated.
The Texas-based band does so yet again on their seventh studio album, The Hurt & the Healer, a compelling collection of songs that rock with the authority of a seasoned band, yet also insinuate themselves into the souls of listeners through insightful, heartfelt lyrics. “We’ve been doing this for 17 years,” Bart Millard says of the group. “You still need a fresh perspective. You still need to have these moments where you are like, ‘Oh I totally get it. I see something new.’ That is what this album has been for us.”
The Hurt & The Healer is a celebration of the moment when these two worlds collide - the deep need for healing and the God Who provides it. Produced by Brown Bannister and Dan Muckula, The Hurt & The Healer features signature MercyMe anthems, engaging pop songs and worshipful and intimate moments.
As the writer of many popular worship songs including "Blessed Be Your Name," "The Heart of Worship," "You Never Let Go" and "Better is One Day," Matt Redman’s songs are sung by millions of people every Sunday. He has a unique ability to craft songs that teach deeply spiritual truths and remind us of God’s steadfastness, which he displays again on 10,000 Reasons. The album features 11 all-new songs and was recorded live.
The first single, "Never Once" speaks of God’s faithfulness in our lives as he is always with us, and never abandons us. Inspiring and hopeful, this album will resonate with fans of worship music everywhere.
After two highly acclaimed albums, Tenth Avenue North takes a bold creative leap forward on its new album, The Struggle. Inviting fans all over the country to lend their voices to the process as they recorded this album in cities along its tour route, the songs explore themes of forgiveness, redemption and grace.
"We really fostered the dance of both the music and they lyric while thematically unpacking the idea of what it means to struggle," says lead vocalist Mike Donehey. "We are free to struggle, but don't need to struggle to be free. It's about the permission to struggle but also a challenge not to stay there." With The Struggle the band offers up lyrically substantive songs people have come to expect from Tenth Avenue North.
Coming up her most successful album ever, American Idol alum and three-time Grammy nominee Mandisa returns with Overcomer. Produced by Christopher Stevens and David Garcia, Overcomer showcases her powerful vocals and pop-leaning hooks that blend effortlessly through all 11 tracks.
With caution-to-the-wind melodies weaved throughout the record, anchored by emotional songs like her open letter to her brother in "Dear John," Overcomer may be Mandisa’s most impactful release to date.
So there you have it. The 2013 Top Albums. What do you think? Do agree with the list? Would you add any titles to it? What is your top albums of this past year?
Of course, fans of Tenth Ave. North know about their great music. For it's built on two foundations - depth in lyrics and musical creativity. For those of use who have seen the band live, have also been exposed to much more. A challenge to live our lives with a great passion for the glory of the Gospel.
Mike Donehey continues to strike a cord of tension with those who are willing to listen. Some tension in life is truly good if it encourages us to do something. Mike, for the most part, does just that. His talks, whether in a live show or in a video, or an interruption that many of us need. He continues to make those that are comfortable, uncomfortable. Those that are sleepy in faith, awake.
Below, we have grabbed a few videos that have been released by the band. These highlight what I am mentioning above. Take a few minutes today and see for yourself. Be encouraged. The struggle that God calls us to in the context of the Gospel is real. And good.
"We really fostered the dance of both the music and they lyric while thematically unpacking the idea of what it means to struggle," says Mike Donehey. "We are free to struggle, but don't need to struggle to be free. It's about the permission to struggle but also a challenge not to stay there."
Most of us who have heard Tenth Avenue North have really appreciated their art. Their music. The depth of lyrical content. For those of us who have seen them in concert, we are allowed to experience not just their music, but also the great words of wisdom.
Mike Donehey (lead singer) is never shy about sharing the truth of God's word. In the video below, listen to Mike as he shares his passion for a much glorious reality - namely Christ.
After nearly a decade of success as a band, Hawk Nelson has entered a new era: new lead singer, new label, new mission, new music. But as Jonathan Steingard assures us, you can expect the same up-tempo you’ve always gotten from the band… with a slightly deeper meaning.
Family Christian: Ok Jon, before we get into the really tough “Barbara Walters style” questions, I sent out a message online and a mutual friend of ours responded by asking the question “do you have any pet chickens?” Does that ring a bell?
Jonathan Steingard: The only thing I think that would be referencing is that our manager, Ryan, has six chickens and we did a photo shoot recently where we actually were holding some of the chickens. It was pretty random. (laughs) So no, I don’t have any pet chickens but Ryan does.
FC: Alright. Ok, second question is from Twitter today… “When will Hawk Mart re-open”?
Jonathan: Oh, that’s a good question. So Hawk Mart is how we branded our online store. We’ve been going through a bunch of changes as a band the last year or so, and I think somewhere during that time we took it down. It may go up as a re-branded thing at some point. I think the biggest trick with that is finding someone to run it. Not a very interesting answer, I know… (laughs) so, I don’t know exactly when that will be back up, but hopefully sometime in the new year.
FC: Ok, now on to the ‘fun’ questions. Did you join the band right when they signed with Tooth and Nail Records, or did you join a couple of years after they were running?
Jonathan: I joined just after they signed. They recorded [the first] record with Aaron Sprinkle in Seattle in 2004 and then I joined mid-2004, so I joined right around the time that record was coming out. So I wasn’t on the record, but I toured for it and I was involved with every record after that.
FC: As a band they were doing some stuff before they signed, so they’ve been together about 10 years, which is pretty remarkable.
Jonathan: Yeah! Definitely, and that’s one of the things we’ve talked about recently. We feel pretty blessed to have had that much time. It’s not lost on us that a lot of bands don’t get to be around for that period of time. So that’s kind of special to begin with and then now we feel like we have a new lease on life in this new season…
FC: I was reading something in your bio that Daniel Biro, your bassist said “This time around we’re going through all this emotional and physical change and God breathed some new songs that channeled all those feelings and doubts and emotions into the lyrics.” So Jason Dunn, the former lead singer, is on his own now. Two-part question… Why did he leave? And what changes can we expect from Hawk Nelson?
Jonathan: I’ll try not to give you the super long answer. Basically when you start a band that young (right out of high school), there’s not necessarily a plan in place, ya know? You’re making music, having fun and it’s a great adventure. And all of that stuff is true and good. But as things progressed and we were getting older, I think we started to feel like we were growing apart. It definitely felt like Dan and Justin (who drums for us now, he joined us in 2007), the 3 of us were on the same page and we always found ourselves kind of on a different page than Jay [Jason] a lot of times musically, business-wise, spiritually sometimes, just not always seeing things the same way. But a band is like a marriage and so we were always trying to find as much common ground as we could. I think, about a year and a half ago it kinda became apparent that it just wasn’t going to work anymore. He knew it and we all knew it, but we didn’t know what to do with that, so we’re like, “what does that mean, what do we do with it?” So Jason I think decided to take the initiative – because he really wasn’t very happy – I think he wasn’t really where he wanted to be, and so he took the initiative and told us he was going to move on and do his own solo thing. I think he just wanted something that was his, where he could have the freedom to have it be whatever he wanted it to be.
FC: Was it hard for you guys to accept?
Jonathan: Oh, it was really difficult! I mean, we had been together for almost a decade. On so many levels it was all we knew. So now it was just this big unknown, like well, “what now?” For the most part if you’ve been in a band for a decade and your singer leaves, you’re done. I mean, there can be life for a band beyond that, but it’s very difficult. So we were processing all of that stuff. We had a little time off last Christmas to process this and figure out, “do we still want to be a band, or do we move on to other things?” We really felt like the answer to that question when we prayed about it was that we still really wanted to be a band and the idea of moving forward without some of that tension internally – to all be on the same page – was really exciting. Like what’s possible if we all actually want the same thing? So once we decided to move on as a band, that just meant finding a singer. We were talking to three different guys, and I think any one of those guys would have done a good job and I think it would have been great, but it just didn’t feel like it was ‘it.’
Jonathan: (laughs) Yeah, he would have been a good one.
FC: Kidding, of course.
Jonathan: So yeah, we were just kind of in this weird spot where we really felt like this was what God wanted us to do, and we just didn’t know who it was going to be with. We were so caught up in the notion that we had to bring someone in that it didn’t occur to us that maybe we didn’t, until we were on tour with MercyMe, Tenth Avenue North, Lecrae and a few others on Rock and Worship Road Show this spring.
So Bart Millard [lead singer of MercyMe] had gotten a hold of a record I had done on my own 5 or 6 years ago. I had put out the record mostly because I started producing and I needed something to work on. I had really no aspirations to be a full-time artist on my own, I love being in a band. So he was playing it in his dressing room and he hauled me in there and he’s like “Why are you not the singer?” And I was like, “I just don’t think that’s my role, I’m more of a support role” and he was like “Dude, you don’t need to bring in a singer, you’re the guy.” I argued with him for awhile and eventually he kinda persuaded me to consider it. So I started talking to the guys about it and all the guys were like, “this is brilliant.” It was this idea of starting a band with guys you’re already in a band with. Because we’d already talked about how much unity we felt between the three of us and that idea that we didn’t have to bring another unknown into that was amazing. So we started doing rehearsals as a three piece kinda secretly backstage while on tour still. We’d find little dressing rooms that weren’t being used and we’d set up a little tiny recording rig and just go through songs as a three piece… and it didn’t feel weird! It felt totally natural, which was just bizarre to us. So that’s how we got to this lineup. And then we started writing for this record. I think everything that had been pent up just came out. A bunch of the songs are just really fun pop songs, there are a few rock songs on the record, but there are also a few really aching, heartfelt God-what-are-You-doing type songs. I actually wrote a song with Mike Donehey from Tenth Avenue North called “Through The Fire” that will be on the record. It’s one of those songs that basically says “God I know that You’re there and I know you love me, but I don’t see that right this second, and I want to.”
FC: So you touched on the songwriting process for this new record. How is that different than the previous process with Jason involved?
Jonathan: Well, in the old Hawk, Jay was the main songwriter and so much of the personality of the band came from his personality, sort of goofy and quirky. Those who know him know he sometimes has a hard time being serious and that’s part of his charm. That sort of quirky thing he’s really great at. So a lot times when we sat down to write a record, the rest of us would kind of search for ways to go beyond that, and that was one of the things that was difficult. On this record there was so much going on in our lives. Sometimes I really feel like (for people that write) God uses those times to really do things that are redeeming. So when Jay left the band I moved into the role of the singer and the main songwriter. I’ve written a ton for this record. I actually did a count the other night and I’ve written fifty songs for this record. (laughs) Part of that was [because] for the first 20 or 30 songs we didn’t know what we were! We are rediscovering who we are as a band. Ya know, we’ve always been a really fun band and we still really love that. This record has tons of songs that are just a blast. But we were also sort of going through this really difficult time and God was shifting things in our lives and in our hearts that were heavy. I know that we’re not alone in that feeling. I don’t know why but I feel like the last 3 or 4 years with the recession… there’s been something about 2012. I have so many friends who are just going through massive life changes this year and I don’t know what God’s up to, but I feel like we can all identify with that. Times when the tables just turn in our lives and we go through stuff that we never saw coming. In those moments it’s like, God what are you doing!? But then you look back and go, wow God, You really had a plan and I just didn’t see it. So I think all of those feelings are pretty injected into this record for sure.
FC: So, would you say you guys are growing up?
Jonathan: I think we’ve been in the process of growing up for the last few years and this is a big part of it. I think this is a period of accelerated growth – we’re relearning some things, we’re learning things that we didn’t know before. Justin’s wife just had their first baby in May, the first Hawk Nelson baby, so that’s a new phase of life for us. Justin’s a dad and Dan and I are honorary uncles.
FC: So, would you say that Hawk is still a youth group band?
Jonathan: Definitely. We’ve been playing under the new line-up for about 20 or so shows, we’ve been mostly writing and recording this record, but we’ve been playing a few shows this year. Ya know, we’re still the band youth groups will book when they want to have fun night where they can let loose. Or if we’re playing conferences or festivals. We still are that band. The way I kinda look at it is the DNA of the band is still the same. [But] when the record comes out and people hear it, it definitely sounds different. Ya know, my voice is different than Jay’s and I think that a lot of the substance is a bit more grown up but I still think it’s something our audience will connect with. There are moments that are really fun that you can crank in your car and then there are moments that will hopefully connect in a way that we haven’t before.
FC: So, not only are you going through a lot of transition as a band, you’re also on a new label. How has the transition from Tooth and Nail to Fair Trade Services been for you guys? They’re local to where guys live as opposed to in Seattle where Tooth and Nail are located. Do you find yourselves interacting with them more?
Jonathan: Definitely. It wasn’t a bad parting of ways with Tooth and Nail at all. We had a five record deal and we fulfilled that record on our last album. It was honestly just when Jay decided to leave and we decided to move forward with the sort of newversion of Hawk Nelson, it was just a natural turning point to have a clean slate in a few different areas – and one of those was the label area. We always had a great relationship with Tooth and Nail, but we had sort of been getting to know some of the people at Fair Trade casually over the last little while and we really just love the way they operate. They’re all about people; they’re relational, thoughtful and very purposeful. They’re a small company, independent – just really smart and purposeful about what they do. They really believe in the power of music to influence lives for the better. It just has been a really productive relationship. I would say they are more involved in the process than we’ve experienced with a label before, but because of who they are I really enjoy that involvement honestly. The A&R guy, James, he and I are talking probably every other day or so. We’re just in constant communication about how the record’s progressing. I can’t say enough good things about them honestly.
FC: So besides the new record being available on April 2nd, what else are you guys most excited about this year?
Jonathan: We are just really excited [in general]. It feels kind of bizarre because we’re technically on our 6th album, but it feels like our first in a lot of ways. We kinda have that honeymoon phase thing going on right now. The three of us have always enjoyed hanging out – we’re not one of those bands that don’t like each other. We love hanging out – we’re best friends. We really genuinely are. We’re going to do a tour in the spring. We’re taking Hyland and The Wrecking so we’re excited about that, but honestly, I think we’re just really excited to get this music in people’s hands. We’ve been crafting it for almost a year now. There’s so much going on behind the scenes that we can’t wait to get out there. The record is called Made and that comes from the title track. It’s basically this idea that when something is fashioned intentionally instead of just sort of happening and everything about it is on purpose – it comes back to the way that God made us. If something is created with purpose, the only appropriate response to that is to live with that same amount of purpose. On a personal level that is true, and then also as a band, it’s really what we feel right now. More than ever we are really enjoying having a purpose behind what we do and I think the record will show that. We’re also reaching out to a few people that we haven’t worked with before to maybe do some cool things we haven’t done before. It’s not official yet (I don’t think), but we have been talking with Food for the Hungry about getting involved with them to help build infrastructure in a specific community, probably in Central America. The cool thing is that they work through a child sponsorship model, but that money doesn’t go directly to that child, it goes to the community [they live in], and Food for the Hungry has a 10-year plan to build up infrastructure so that the community is completely self-sustaining by the time they leave. It’s a pretty cool process and the idea that we could partner with them to help one specific community and maybe over the course of a year see the funding go from start to finish is pretty cool.
Also, I told you the story of Bart encouraging me to step up and be the singer, so we asked him to sing on our first single. It’s called “Words” and we’re really excited about it. It was kind of a function of us wanting him to be a part of it because he was such a big part of really encouraging us to move in this direction and he’s been a huge part of our lives this year. It’s really a special thing for us.
FC: That’s great. We’ve heard the track and it’s awesome. So knowing your audience, when you’re up on stage, what are you hoping they see? What’s your goal as a band?
Jonathan: Mmm, that’s a good question. I feel like on any given night it might change in small ways but more than anything, man, I just want people to know that they are loved and that right where they are God has a plan for their lives. That even if it doesn’t look like it right this second, God is always working behind the scenes. And that they could just take a step forward in life joyfully and confidently knowing that God goes before and behind them. That purpose might look a little different each night, some nights the show is just an absolute party and those nights I wonder if maybe God uses those times to just give people a night to let loose and remember that life is full of joy. And other nights… There was a show recently where we did an encore acoustic song and we’re not a band that normally does worship music – we love to partner with other events that have that element in them, but it’s not usually what we do – but on this particular night, for whatever reason, I just felt super prompted that we were supposed to have a moment of worship and so we did that… and it was awesome. It was unplanned and we just sang through a couple of songs and it was a special moment for me, maybe because it was unplanned. We all grew up in youth group and I see a massive amount of value there, it’s such a crucial point in the lives of people that grow up in the church. There’s so much to figure out because not everyone’s church experiences are all that awesome, sometimes they’re scarring, so I love getting to know youth pastors and coming into churches and serving them in a unique way where we’re hopefully able to bring something new to what they do. I really think that youth groups are an area we feel pretty passionate about. We’ve always kinda connected with a younger audience and we haven’t always been good at growing with that audience. We’ve always sort of been that fun band that does that punk rock song or whatever, and while we still are that band, we are keen to really grow with our audience. A lot of songs on this record will connect on that level hopefully.
FC: So what do you guys do to get ready for a show?
Jonathan: (laughs) Well I’ve started warming up vocally which I didn’t used to do because now I’m the singer and I’m terrified of getting sick. When it didn’t used to be a big deal I was the guy that if I had the flu, would just put a bucket on the side of the stage and rock it… but now it matters. (laughs) So I have a few vocal exercises that I do. Justin does some rudimental exercises on a drum pad and Dan mostly just hangs out with people. (laughs) We do have a coffee road case and we told our road manager that it’s the most important road case in the whole lot, so he knows to keep it around so we can make coffee whenever we need to.
FC: Have you turned into a coffee snob?
Jonathan: I’m not a snob necessarily; I still do Starbucks and some of my friends who are coffee snobs feel more like that’s a corporate offense. Mostly it will be right before the show that we’ll connect with the youth pastor of the church we’re at or the promoter who may have brought us in. That’s a lot of times where the more personal connections and meeting people will be, right before the show.
FC: Well Jonathan, thank you so much for talking with us today. We’re just thrilled for you guys and know that good things are ahead. We hope you guys have a great
Dekalb High School Choir from Waterloo, IL performs Hawk Nelson's "The Show"
From “latch-key kid” to key player in the Man Up movement, Lecrae’s life is an example of God’s transformative power – and he’s not quiet about it. In his signature straight-shoot approach, new album Gravity calls Christians to open their eyes to the weight of need in their world and share the love of Jesus as never before.
Family Christian: Can you give us a brief overview of your childhood? Where did Lecrae come from?
Lecrae: I was born in Houston, Texas to essentially a single parent household. We moved from Houston to Denver, and then, just because my mother was single and was just kind of struggling to make ends meet, I would stay with my grandmother quite often in San Diego, California. So between Texas, California, and Denver, those were the places I bounced around. I was just a sponge. I picked up so much in all that time. Obviously not having a strong male influence or role model, I gravitated to anyone who would pay attention. Most of the time those were terrible influences [who] influenced me to run in the wrong direction quite often. I grew up with a great sense of insecurity in figuring out what I was and where I belonged. Not growing up in church didn’t make it any easier. So I pretty much wrestled through that my whole life until my senior summer in high school. I got into a lot of trouble and [things] really exploded. I had to say “God, I need your help.” That’s really when I began to sense that God was drawing me and [I] later became a Christian after hearing the Gospel.
FC: What made you feel that impression that God was pursuing you?
Lecrae: I had gotten into trouble my senior summer. Financial trouble, trouble with other people, trouble with women – I was just running myself into a dead end. So I’m thinking, “I’m seventeen, let me do the mature, adult thing, and go to church.” Grandma was a Christian so the roots of the foundation I had established of the Christian God were through my grandmother. And that was where I needed to go. By grace, there was a young lady that I went to high school with that invited me to a Bible study. I went, and I had never seen Christians who dressed like me or talked like me, so I thought they were Martians from another planet! When I saw them, I said, “Oh you guys are human!” They loved me genuinely and that’s really what started it.
FC: Do you still live in Houston?
Lecrae: No, I’ve since moved from Texas to Memphis, and from Memphis to Atlanta. I’ve been in Atlanta for the last three years.
FC: You’re married?
Lecrae: I am, with three beautiful kids.
FC: So did you marry that lady from high school?
Lecrae: No, I actually met my wife at the same Bible study [though]. She was friends with the young lady who invited me. I met her there, and obviously I thought she was way too Christian for me, but I became a Christian and grew in the Lord and it worked out between us.
FC: How much was music or the arts part of your life growing up? Did you realize early on that there was some talent in your life, or did that come later?
Lecrae: Absolutely. I was a latchkey kid so I would sit at home for hours while my mother was at work. I had to use my imagination. I’d sit in front of the television so much. Sometimes she would allow me to watch television and she would come home to see if it was warm so I had to figure out what I could do with my time. It just became an outlet to start writing, experimenting, and just trying to be creative. I knew I had a passion for the arts, but we didn’t recognize it. It was one of my fifth-grade teachers who recognized it and suggested to my mother that I be put in a special class. That special class led me to audition for a special school so I actually went to a performing arts middle school for a couple years. That’s really where I started to hone my writing skills.
FC: Would you say that you’re trained in other forms of art beside hip hop?
Lecrae: I definitely wanted to be around artistic people all the time, [because] you pick up a lot. Acting and theatrics are my forte. I got a full scholarship for acting. I thought I was going to be an actor. I saw a movie with Bruce Willis in it and thought, “I want to do that.”
FC: So at what point did you decide that maybe there was something in hip hop for you? If you were leaning toward theater or acting, or at least had a desire for that, when did you decide “I want to do something with hip hop”?
Lecrae: Hip hop – it’s an art form but it’s a culture as well. You grow up in the culture and you never leave it. It’s a style of dress; it’s a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in. Even moving into the theater world, I would bring that element into it. What was unique about me and different about the world I traveled in, was I grew up watching cousins and uncles. They loved hip hop, listened to it constantly. As a little kid, you just listen to everything they listen to, they’d break dance in front yard and I was just exposed to this. From grabbing paint cans and trying to learn how to do graffiti to all those different elements. As I grew older I found that I really had a knack for rhyming and I pursued that. So by thirteen I got serious about using my writing and rhyming skills. I did it everywhere I could. I didn’t really have a lot of social currency in middle school or high school. I wasn’t the most popular kid. I’m super tall, but I started playing basketball late so it took me a while to catch up. My social currency was being able to rap and that’s what I would do in the cafeteria at lunchtime. That’s what really connected me to other peers.
FC: Did you feel forced to approach hip hop or lyrics differently after you became a Christian?
Lecrae: As a Christian I really did kind of wrestle with “How do I do this?” The things that really steered me away from Christianity [originally] was that I really did think it was about putting on airs and about rules and regulations. I liked baggy jeans and my urban style and I thought that Christians and that didn’t mix. And so going to the Bible study I saw individuals who did dressed like me and talked like me. [Up until that point] I didn’t know Christians wore their hats back and things along those lines, so that really intrigued me. I loved that I could be authentically hip hop, but authentically Christian. The things that God didn’t endorse, obviously I would have to let them go, but there were so many beautiful things that He did endorse and so many wonderful aspects within hip hop culture that just made me me that He could use for His own glory. I just began to walk in that and allow Him to change me.
FC: When you hear the term “Christian rap” or “Christian hip hop,” what do you think?
Lecrae: I think what people are trying to communicate is that there are redeemed individuals within hip hop culture. And I would say I’m one of them. I think that as a Christian, we’re to be a light in this world. I think it’s almost like saying “Christian American,” it doesn’t mean that I’m not American, it just means that I’m distinctly and authentically Christian as much as I am American. And so my Christianity is going to permeate throughout my American-ness. So when I think about Christian hip hop I think of an individual who is a Christian who is using hip hop to communicate things that God will endorse.
FC: What do you think of the Christian hip hop industry? Are we doing well? Are we competing, in a sense?
Lecrae: As an industry, there is definitely a lack of infrastructure. Simply because it’s definitely more of an organic art form, I think there’s definitely a lack of infrastructure. I think that’s been one of the passions that my friends at Reach Records have had; to bring some awareness to music and to really bring a different light and perspective. I’m really grateful to all of the different entities within the Christian music industry for embracing us and giving us a seat at the table. And I think that’s only helping more hip hop artists in positions to serve.
FC: What artists do you listen to personally, either hip hop or not?
Lecrae: I love listening to all the guys on my label: KB, Tedashii, Pro, Andy Mineo, Trip Lee. I love those guys. There’s another guy, Swoope, that I think is a phenomenal artist. They’re people that really inspire me and I think they’re just phenomenally talented at what they do.
FC: You’ve been busy with collaborations lately, appearing on Britt Nicole’s newest and also with Jimmy Needham. Who would be on your list of dream collaborations?
Lecrae: I’m a big fan of Brooke Fraser and Gungor, so I would love to work with them. You might see some Lecrae and Tenth Avenue North action happening as well... I definitely would say Hillsong United. I’m blown away at all that they do. I’ve been to Sydney and seen how incredibly passionate they are about what they do. I think that’s mind-blowing. I’ve been really fortunate. Not many artists can say they’ve done stuff with the Chris Tomlins and the Crowders. So that’s really been a blessing for me.
FC: Do you think you’d ever cross over into mainstream music? And what do you think about that type of responsibility?
Lecrae: There’s a saying that goes around that says “I you crossover make sure you bring the cross over.” That’s definitely my heart and my aim. I want to remain distinct and authentically Christian in whatever realm I’m in. I don’t want people to walk away saying, “Lecrae is a Christian because he said so. Lecrae is a Christian because they labeled him that.” But I want them to say, “Lecrae is a Christian because I can tell by his life that he values Jesus.” That’s really what my aim is, for people to see I truly treasure and value Jesus and His Word. If [crossing over] happens then, by God’s grace, let their lives be changed.
FC: So you’re not apprehensive of something like that happening? You’re just saying, “If that happens, God’s going to have to be the one to make it happen”?
Lecrae: Absolutely. I think as Christians, we all have the same calling, and that calling is to love God with all our heart, mind, and soul and love others as ourselves and to glorify God in everything that we do. If I was an architect, who all of the sudden made it into one of the biggest architectural firms, I’m still going to have that same calling. As a musician, to be able to walk in mainstream realms, I still have that same calling. The Bible says, “Take heed, lest you fall,” but this has really been the story of my life. I’ve traveled into other realms in order to be a light and be a missionary. Some of them were very dangerous, and I don’t look at this as any different.
FC: What do you think of church culture today, here in the U.S.?
Lecrae: Obviously, I love the church, the church that God is establishing, that Jesus died for, so I’ll never have any negative things to say about His church. Even though she’s spotty and has issues, He’s perfecting her. Church culture, or what I’d call Christendom, is this kind of traditionalism that we’ve set in motion. It doesn’t necessarily have any validation in the Bible, and I think can be very dangerous—creating rules and regulations and putting ourselves in positions where we’re the final authority on things because this is the way it’s always been done. It’s dangerous and we can be Pharisees in that regard. I’m very optimistic that there are sincere believers out there that are okay with tradition but don’t want to endorse traditionalism for the sake of traditionalism but want to embrace tradition because it’s God-honoring. I think that’s a beautiful thing.
FC: Tell us a little bit about Man Up: what went into it conceptually and what you hope it accomplishes.
Lecrae: Yes, so Man Up was kind of us at Reach Records and Life Ministries surveying the culture, both the church and outside the church. There was a lack of understanding of what masculinity really looks like and what it is. Obviously, we believe the Bible is the authority on masculinity, and so we wanted to address that. Men, specifically in the West, have no rights of passage, no way to know when they become a man. Everywhere else in the world you gotta kill a lion or stab a shark, or go on some journey, and you come back and you’re a man. But here in the West, we’re really kind of clueless as to what makes us a man. So we’ve begun to make up our own definitions when Jesus has given us so many. He was the picture-perfect man. He was selfless, He was sacrificial, He was courageous, He was authoritative, and He loved his wife – the church – to the death. Those were some of the elements that we wanted to put out there and portray for those inside and for those outside the church, that they may say, “Ah, this is what manhood looks like. And it’s a goal that I’ve never attained in my own strength.” And so, one of the key factors in manhood is repentance. Ya know, you’ve got to man down to man up. Wave your white flag and say, “Jesus I can’t do this.” I think that’s the first step in being a man.
FC: And it has been well-received?
Lecrae: Incredibly well. So we did a campaign where there was an album, a short film, a tour, and a conference. The tour sold out, the album has been incredibly successful, the film is attached to the album so people have been watching it and being encouraged. And at the conference we anticipated about 1,000 people and 2,200 men showed up – three generations, the grandfathers, fathers, and sons. It was mind blowing. It was a powerful, powerful time.
FC: That is so valuable for men and fathers. Talk to us a little bit about Church Clothes: the mix tape, the video, the controversy.
Lecrae: I’ve always been a missionary and what people don’t know is that I’ve always taken some strategic and eyebrow-raising steps. So historically that’s been my M.O. I moved to one of the worst neighborhoods in Memphis, as a newly married man, which everybody said “That’s ridiculous, that’s insane, you’ve lost your mind.” From there, my wife and I went to Asia in ministry there and had to duck and hide and run from authorities and she agreed to go pregnant. Everyone thought we had lost our minds again. God showed us incredible fruit. I’ve always done music to push people to get them to get uncomfortable in their seat so they could wrestle with things. Not to become pew potatoes, just simply sitting there, growing fat with knowledge and not applying it. It’s a mixed tape that’s really aimed and geared toward hip hop culture. And one of the formats that is highly respectable within hip hop culture is a mix tape. Just talking about controversial issues that I don’t think people outside of the church wrestle with. Being an artist that’s well received in Christian circles, the majority of my fan-base is Christian, and are hearing it and seeing it, and have all these questions and issues. For me, it’s me saying to them, “Hey, this exists out here. This is what people are wresting with. We need to get out here and love on people and engage people and engage culture.”
FC: So you’ve encountered some controversy with your music. Do you think it’s because you take a bold approach?
Lecrae: I think some people don’t get it, but as we talked about I think there’s a Christian culture that wants everything to be comfortable and safe and they think that’s what Christianity is. It’s “Aaah, I’ve escaped the craziness of this world and now I’m safe.” And we would like to move into a safe environment and have, ya know, a Christian barber shop and a Christian swimming pool and not have to deal with the world anymore. But Jesus prayed that we would remain in the world but [be] protected. He also told us that the gates of hell shall not prevail against His church and for the gates to not prevail against His church and [for that to happen], it must mean we’re trying to storm them. So, I think there’s just a sub-sect that want to remain safe and tucked away and not engage the world for the glory of Jesus.
FC: Can you just stop rocking the boat for a while?
Lecrae: (laughing) I would love to, but I can’t.
FC: No don’t! Don’t stop rocking the boat. So, tell us about Gravity. What’s the theme of the record?
Lecrae:Gravity is loosely based on Ecclesiastes and I think what Solomon was trying to do was bring some weight to life and that’s really what I want to do, to paint some sober pictures. Honestly everything sober is not bad so I don’t want people to think that sober pictures are bad. You know, there is a sobering picture when you’re overwhelmed with all of the hurt and the pain in this world. There’s a sober picture of how it’s only for a short period of time, it’s short-lived, or that we still have Jesus. So that’s what I would call a weighty part, a gravitational pull to remind us of who we are in Jesus. So obviously, just wanting to paint hope, but also just giving the pictures of the realities of this life that we live, and how there’s no escaping it other than Jesus.
FC: I do have a couple of questions from our Twitter followers. They should be fairly easy. What was the hardest thing that the media has put you?
Lecrae: Ya know, I don’t know if it’s the media. I would say it’s probably social media. Social media is just constant, it never stops, 24 hours a day. And so there’s always someone who is very loud and very opinionated. I will say it’s strengthened my faith if anything, because it’s made me feel closer to Jesus, or relate to Him more. I’m sure He was constantly criticized, and constantly someone had an opinion about what He was doing. I’m not perfect like Him though so some opinions or critiques might be warranted (laughs).
FC: Who was your favorite artist growing up?
Lecrae: My favorite artist growing up would probably be Lauren Hill. She sings, she raps, she sings from her soul, and then she wasn’t afraid to articulate her faith once she started to embrace it. And I really appreciate that about her.
FC: She certainly wore her heart on her sleeve, that’s for sure. One more question, are there any guests on your new record?
Lecrae: Absolutely. It’s still in the works, but I would love to work with the likes of Brooke Fraser and Gungor. There are a few, but I don’t want to give them away until it’s signed, sealed and delivered.
To find out more about Lecrae's new album, Gravity, click here.
Acclaimed band Tenth Avenue North announces “The Struggle” fall tour, its biggest headlining tour to date, visiting more than 35 cities from mid-September though late November. The tour, featuring guest artists Audrey Assad and Rend Collective Experiment, will support Tenth Avenue North’s Aug. 21 studio release, The Struggle, whose lead single “Losing” debuted with an incredible 73 adds out-of-the-box that included the KLove, WAY-FM and Air1 networks.
Kicking off Sept. 13 in Sewell, New Jersey (Philadelphia area), “The Struggle” fall tour will hit major markets including New York, Baltimore, Washington, D.C., Pittsburgh, Indianapolis, Cincinnati, Detroit, Chicago, Minneapolis, Denver, Salt Lake City, Seattle, Phoenix, San Antonio, and Houston, among others. Singer-songwriter Audrey Assad and Kingsway artist Rend Collective Experiment will join Tenth Avenue North, who will perform new music from its latest project as well as fan favorites.
The tour is named for Tenth Avenue North’s third label project, The Struggle, available for pre-order now, with a street date of Aug. 21. Produced by six-time SESAC Christian Songwriter of the Year, and two-time GRAMMY nominee, Jason Ingram (Chris Tomlin, Sanctus Real), The Struggleis a bold, creative leap forward for the band, reflecting influences ranging from fan insight to the addition of two band members to a new recording process.
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