Tag Archives: Switchfoot
Posted on October 10, 2013 by John van der Veen
American Idol’s Season 11 finalist Colton Dixon’s powerful and iconic voice quickly earned him a loyal and enthusiastic fan following among the shows 20 million viewers that kept him from placing in the bottom three until his last week in the competition. Following a shocking early elimination, Colton hit the road with the other Idol finalists for the American Idol LIVE! Tour, where he performed in front of over 360,000 fans across the country.
Colton’s musical journey has been a long time in the making, beginning with piano lessons at 7 years old. A lifelong fan of Christian music, he remembers his first concert at age 13 performing “I Can Only Imagine” by MercyMe. That’s when he knew he had found his calling. With a humble spirit, he answered the call. To be a messenger for a purpose greater than himself.
I caught up with Colton at a recent festival to talk about American Idol, the fast rise to fame, and keeping a mind on Christ.
Colton: A Messenger, yeah.
John: And you are the messenger?
Colton: Well, I mean, it comes from John 13:16. It says that “No servant is greater than his master, nor is a messenger greater than the one who sent him.” So I called the record A Messenger just because it’s not … I don’t want it to be about me. You know?
Colton: God chose people to write down His Word, so His message is already out there. So now it’s just up to us to carry it to my generation and generations to come. And it’s so important, so I just wanted people to connect with that and realize that God’s the priority here, you know, not me. So that’s where A Messenger comes from.
John: Mm-hmm. You’re probably sick and tired of answering this question, but what does your sister feel about all of the success that you’ve had since American Idol?
Colton: That’s a great question. Man, my sister, Schyler, is so mature and so cool.
John: Yeah, I’m sure.
Colton: So she’s really proud and really excited for me. It’s funny. We normally have her out with us whenever we drive and have space. You know?
Colton: We were a little crammed in the van this time, but we bring her along, and she loves it.
John: Yeah. I’ve heard she’s been on stage with you guys a few times.
Colton: Yeah, so she loves meeting artists, just like I do. I was just hanging out with Matthew West a little bit ago, and it still blows my mind. You know? It’s crazy. So she’s loving it, and she’s riding coattails and enjoying it just as much as I am (laughs).
John: Good. Great deal.
John: That’s great. Just a little bit about the idea of going to quote-unquote “Hollywood” and living to tell about it. What was that like? I mean, everybody who is within the body of Christ kind of looks towards the entertainment community and goes, “Wow, it would be really tough to be a believer, an outspoken believer, within that type of culture.” What type of pressures did you experience while you were with American Idol, on tour, with any of those guys? I mean, was it something that was hard to deal with, or …?
Colton: Honestly, it’s like … Let’s take religion out of it for a second.
Colton: Or my faith. It’s like with anything. If you think a different way from somebody else or whatever, it’s about being polite and respecting what they do, and in return, hopefully, they’ll respect you back. Now, let’s plug faith back into it. It should be the exact same way. You know? Don’t get me wrong. I came across people … my heart just broke for them knowing that they’re missing out on something bigger, but the thing I had to realize, too, is some of these people will never crack open a Bible. They’re never going to go to church, so I’m the only Bible that they’re ever going to see just by the way I’m living.
So just realizing that and that I really have to watch everything I say, everything I do, not that I’m necessarily doing or saying anything bad, but just being set apart, which is what Jesus called us all to, in our actions and our speech and everything in between. So that just made things difficult, just that you’re under a really fine microscope. Then, when it finally gets out there that you’re a Christian, like the papers have a heyday, and it’s like Tim Tebow. People are waiting to see him fall, and I’m so thankful he hasn’t. You know? He’s really representing us well.
But he was an inspiration for me while I was on Idol. It’s like, man, if he can do it, I can do it. You know? It’s possible. With God, anything is possible, so … Yeah, I think that was the hardest part, just realizing that, not only if I slip up, Hollywood and the press or whatever are going to have a heyday, but that the people looking at me, it’s like I may be the only Bible that they see. So, God let them see you and me. You know? Let’s use this opportunity for that.
John: Yeah. Would you give the same answer, Colton, to somebody who’s in high school or college that just kind of feels pressure to kind of give in to the world? Maybe they feel like they’re all alone in their faith or in their walk towards Christ. How do you speak to that person who’s not in the limelight, per se, but certainly feels kind of all alone? I mean, they’re here in culture, but they’re just having a hard time living out their faith among people that are so contrary to them.
Colton: Yeah, it’s the exact same thing.
John: Is it the same thing?
Colton: You know, there were definitely times where I felt alone or whatever, and not just in my faith, but in general (laughs) while on the TV show. There was little communication to anybody except for the other contestants and …
Colton: And after a while … I mean, they’re all phenomenal people. Don’t get me wrong, but you miss your friends and family from back home after a while, so that’s that. But as far as feeling alone in your faith, something that really was a light-bulb moment for me--and it inspired one of my songs called “Never Gone”—is knowing that God’s with you the whole time, and He’s all that you need. You know? Contrary to belief, God is really all that you need to get through a situation. So I would just encourage whoever it is who feels like they’re alone to open their eyes a little bit more, you know? Focus your mind on God, and He’ll reveal to you that He promises in His Word that He’d never leave us nor forsake us. So He’s been with us the whole time. So that was a light-bulb moment for me on the show, and I’m glad I was able to write that song because of it, to answer that question.
John: Let’s change tracks a little bit. Go back to when you were five, six, eight, 10 years old or whatever. Did you ever dream that this is what you would be doing?
Colton: That young, no.
John: (Laughs). At what point in your life did you say, “Okay, I think God is doing something here in me. I kind of want to pursue this.”?
Colton: Yeah, it’s actually younger than most. I was 13, and I knew without a doubt that this is what I was going to do. I didn’t know that Idol was going to be the door, but…
Colton: I sang in public for the first time when I was 13. I’d been taking piano lessons for several years, and my piano teacher just kind of set up a microphone and said, “I think you need to sing tonight.”
John: We’re doing it.
Colton: Cool. So I sat down, and I was supposed to play “I Can Only Imagine” by MercyMe that night, and instead I played and sang it, which was a very, very difficult song for a kid going through puberty. But I got through it, and it was just the coolest thing because I really just felt the Holy Spirit just telling me deep down, it was like, “This is it. This is what I made you for.” And I gave up sports for music when I was 15. I finally gave in. It took me a couple years, but I just continued to pursue and pursue and pursue, and I got a lot of people telling me, “Nah, you can’t have that sound,” or, “You’re not going to be able to look that way,” or whatever, telling me no over and over and over again. Then, finally, just God just opened the door to American Idol, and, boom, there it was.
John: The rest is history.
John: Colton, if there is one artist that you would love to go on tour with, either you open for them or they open for you, who would that be?
Colton: Oh, look at this. I would have to say Switchfoot.
Colton: And it would feel totally wrong if they opened up for me.
Colton: I would want to open up for them.
John: You never know.
Colton: That would be too strange.
Colton: I don’t think I would allow it. But I would really enjoy that. I met them for the first time a few months ago, and they were great guys. But as far as the rock side of Christian music, they were really one of the first bands that got me into it, and then I just got heavier and heavier as time passed with Skillet and RED and you name it. But I really just enjoyed “Beautiful Letdown” by them, and it seemed like every single song on that record was an anthem at one point in my life, so I really appreciated that record a lot.
For more from Colton, click here.
Posted on May 15, 2013 by Family Christian
Saturday night was a momentous occasion as critically-acclaimed duo for KING & COUNTRY played before a sold-out crowd for KSBJ’s 30th Anniversary Concert. The celebration, which also featured performances by Chris August, Francesca Battistelli, Steven Curtis Chapman, Family Force 5, Amy Grant, MercyMe and Switchfoot, took place at Cynthia Woods Mitchell Pavilion in Spring, TX.
“for King and Country were C-R-A-Z-Y onstage and set the bar high opening up the show,” said KSBJ’s Assistant Programming Director and “The Morning Show” co-host, Pam Kelly. “They really gave it their all and the crowd loved it. And such nice guys! Joel stood out in the plaza for hours, in the Houston heat, to take pictures with everyone who wanted one. These guys are going to be around for a long time!”
“Middle of Your Heart” is for KING & COUNTRY’s third single from their debut album, Crave. On January 10, they made their late night debut performing “The Proof of Your Love,” on “The Tonight Show with Jay Leno.” In 2012, for KING & COUNTRY were named as one of Billboard’s 17 acts to watch and were CCM’s best-selling new artist. New Release Tuesday noted that Crave was “One of the Best Debut Projects in Years!” ET’s “The Insider” said the duo, “make music that speaks directly to your heart” and have been “gaining popularity in the alt-rock genre.” American Songwriter commented that “for KING & COUNTRY may just be Australia’s answer to Coldplay.”
Posted on September 5, 2012 by John van der Veen
With strokes of his upbringing, faith, experiences and relationships, Andrew Peterson creates art. Like an intricate oil painting, the nuances, layers and textures combine to create something distinct and deep. But to Andrew, it’s just part of the process… down to the very DNA of the lyrics.
Family Christian: So tell us a little about Andrew Peterson. Where are you from, what’s your family look like?
Andrew Peterson: I’ve been married 17 years and have 3 kids who are 13, 12 and 9. I was born in Illinois (basically in a corn field), then when I was 7 we moved to what I lovingly call “redneck Florida.” So I went from having a sort of golden-boy-Midwestern childhood to [the] deep south, ya know? [With] all of the good and bad and wonderful things that come with a southern childhood. My dad is a pastor and he still preaches at the same town that I grew up in north Florida. I ended up randomly going to Bible college. Not for any noble reason, mainly because it was affordable and I couldn’t think of anything else to do (laughs). So I went to Bible college and fell in love with it almost immediately. I met my wife there, got a Bible degree, put out an indie record then moved to Nashville where I’ve been making records ever since.
FC: Which Bible college?
Andrew: It was called Florida Christian College in Kissimmee/Orlando. Just a small, really conservative Bible college within my “non-denominational denomination.” (laughs)
FC: (Laughs) You may be the first person who has publicly made that into an official denomination…
Andrew: I coined it! Yes!
FC: Would you consider Florida to be southern living?
Andrew: Oh yes, at least the part of Florida that I lived in. Florida is a funny place. I maintain that it is the weirdest state in the United States – and I mean that in a good way. I didn’t like it when I was a kid, but now that I’m a writer and part of my life involves telling stories, I feel like I could not have grown up in a richer story-telling culture than Florida. It’s this kind of strange convergence of beach culture and retired people and snowbirds and Cuban-Puerto Rican culture. If you drive about 15 minutes inland from the beach or out of any town, you’re in this swampy, unique kind of country, [with] racism and southern hospitality and Bible belt stuff and it’s just a really fascinating place. I’ve gotten to [this place that] now that I’m older, I’ve started reading books by southern authors because I’m so fascinated by the cultures there. Everybody from Flannery O’Connor to Marjorie Kinnan Rawlings and people like that. And so I’m really grateful. I never want it to sound like I’m talking bad about my home state but it is bizarre and I’m just delighted by that.
FC: Do people in north Florida eat grits or biscuits and gravy?
Andrew: Oh yes, as often as possible. My little town is called Lake Butler and it has three generations of family sheriffs. There’s a railroad track and the white people lived on one side and the black people lived on the other. There was a poured house and a little drug store where farmers in overalls would talk in the heat of the day and my dad is a southern preacher which means that he paces a lot and occasionally little flecks of spittle. It was exactly what you would imagine a “deep south childhood” would look like. So yeah, I think that may be part of where my love for storytelling came from. All you have to do is sit on the porch for a few minutes and eavesdrop on my dad’s conversations and you hear the most colorful, beautiful language – good stories. It’s a farm culture and yeah, I couldn’t wait to escape it when I was a boy, but now that I’m a grown up I live in a metropolitan area and the older I get the more I’ve started calling my mom and dad and asking them how to grow tomatoes and how to keep the deer out of the pumpkin patch (that sort of thing), and so yeah, I feel like it’s a part of who I am.
FC: Did you meet Rich Mullins?
Andrew: I did. Just 2 or 3 times, and each time it was in a really unadulterated fan context. I shook his hand and told him I loved him and passed him a demo. That kind of thing. It’s funny, I had just finished recording my independent record in college. I was 22.
FC: Was that The Walk?
Andrew: Yeah, and it’s terrible. When I go back and listen to it, I can hardly listen to it because it’s so bad in so many ways. But at the time, when you’re 22 you feel like you’re the king of the world and I thought “Man, I’m going to give this CD to Rich Mullins and he’s going to love it and we’re going to become friends!” But he died a year later so I never had a chance to live down how bad the demo was. I later became friends with Mitch McVicker who was friends with Rich’s touring partner back at the time and I was always really self-conscious that I had met them both at this geeky fan phase so I didn’t let on that I’d already met Mitch before. Years later when we started doing shows together I was like “man, do you know that we met before we started traveling together?” and he was like “oh yeah, I remember, it was at your college in Florida” and I was horrified! I said “Ahhh! No! You don’t by chance remember that I gave you a demo CD do you? And he said “yeah”, so I said, “you guys didn’t ever hear it did you? And he goes “yeah… we hated it.” (laughs) So I thought that was delightful. There’s a part of me that’s like maybe it’s a small mercy that I didn’t meet Rich because it would have been the worst thing to find out that he couldn’t stand me, ya know? (laughs) [This way] I can pretend that maybe we would have been friends.
Andrew: Yes, definitely. I’ve kind of jokingly said that Rich’s music rescued me from Lynyrd Skynyrd. I was in a rock band the year after high school, touring around, but it never ever would have crossed my mind that I wanted to do Christian music because I grew up in this goofy paradigm that meant being in the ministry meant being a pastor, or a missionary. And I didn’t want to be either of those things so I just thought, well, I guess I don’t want to be in the ministry. So hearing Rich’s music around that time opened my eyes to how powerful a song can be. C.S. Lewis described stories this way, he said that stories could “sneak past peoples’ watchful dragons.” The idea is that a sermon will hit you head-on but art can flank you, surprise you and flip truth behind your lines when you least expect it. I think that’s what happened with Rich’s music and me. I wasn’t terribly interested in the Gospel. Ya know, I would have told you that I was a Christian but I was really struggling and really trying to find my way and then I heard this Rich Mullins song that captivated me with its poetry and the roughness that I heard in his voice. He was a smoker – I didn’t know it at the time – but I heard something broken in his voice. Emotionally and physically for that matter. So that brokenness was more beautiful to me than any of the slick stuff I had heard in Christian music. And it really drew me in. What I heard was loneliness and some sadness and a deep longing, and all of that resonated with me. I felt like he was singing the way my heart felt. It was because he was willing to be honest about his own struggle and the truth about Who Jesus really is. That woke-up something in me. It took all of those Bible stories that I had grown up with over the years and my love for The Lord of the Rings and adventure stories and all of those things converged in the songs of Rich Mullins and I found something that I’d never found before. So ever since then, every time I sit down to write a song, I’m trying to get close to the feet of those mountains. If I can write something like “The Color Green” by Rich Mullins or “Copperline” by James Taylor or “Graceland” by Paul Simon I think it’s good for a songwriter to keep listening to the masters. To ask yourself “well how in the world did they write songs that move me like this?” Every time you sit down you’re probably going to fail but you gotta at least try, ya know? So I’m always trying to get back to the way that I felt sitting on the side of a mountain in east Tennessee and listening to Rich Mullins music. So that’s what I’m shooting for, whether or not I ever attain it.
FC: So then you met Derek Webb… or he found you? How did that work?
Andrew: (laughs) That was back when the internet was relatively new and I was waiting tables at the Olive Garden here in Nashville. We had just moved here. Jamie and I were childless, poor and working really hard. I couldn’t get any bookings. One night I discovered this band, Caedmon’s Call, and I really liked their music. I think I discovered them because of their friendship with Rich Mullins. I think that’s how I ended up finding their website. I ended up posting something online about how their songwriting and music was really the first thing that had moved me like that since I’d heard Rich Mullins’ music. I included a link to my really lame website, and Derek followed the link and read my lyrics and he really liked them. He saw something in them and I ended up meeting them later at a concert and he remembered me and I said, can I open for you guys? And he said yes. That was basically the beginning of my music career. (laughs) I don’t know why he said yes, he’d never heard me play a song before. Never heard what I sounded like live. But for whatever reason, they happened to not have an opener like a week later so I got to drive out to west Tennessee and play a show with them. A month later I was on the tour bus.
FC: Wow and now you’re getting ready to release your 12th or 13th album?
Andrew: Well if you included all of the little side projects [I’ve done] it would be about that many, but it’s either the 8th or 9th full-length studio record, I can’t remember.
FC: Ok, before talk about the new album, let’s talk a second about this “Square Peg Alliance” group you created. What is it?
Andrew: Well, it’s funny, The Square Peg Alliance is not as active as it was maybe 3 or 4 years ago. Basically, I didn’t start it – it was just something that grew sort of organically at our little songwriting community here in Nashville. In reaction to how a lot of us had been on Christian record labels, some of us had had radio play and then as the industry started to change we all found ourselves not “pop-Christian” enough to get by in the Christian world and “too Christian-y” to ever have a chance to get by in the mainstream world. And so we didn’t know what to do other than lock arms with each other and just try to help each other survive and stick to the calling of the type of songs we were writing. We kinda jokingly named ourselves the Square Peg Alliance. Ya know, all we did was give a name to this thing that was already happening. The same thing is still happening, we just don’t officially gather under that name anymore.
FC: Did the Rabbit Room kind of morph out of that?
Andrew: The Rabbit Room didn’t morph out of it, but it came for the same love for community. Ya know, I went to England and saw the pub where Tolkien and C.S. Lewis and Charles Williams and their buddies used to get together and read their stories. And around that time I read a book about the Pixar company and I started to recognize that really good art thrives in the confines of community. We had some of that happening with music already, but I was writing my books and I wanted to grow into a better writer – and I knew a lot of people who wanted to do that same thing. So The Rabbit Room was kind of an experiment in community. We thought, what happens if we get some authors and pastors and songwriters and artists all joined together with the hopes that we’ll learn to make excellent work? And invite people into that conversation and see what happens? So we didn’t really have a clear direction, I just bought the domain name and made the website and invited some friends to be a part of it, and that was about 5 years ago. It’s doing really well. It’s been a pleasant surprise at almost every turn.
FC: And so now you’ve written 3 books?
Andrew: I’m [currently] writing my 4th book.
FC: Obviously you’re an artist, but do you have a preference between writing music or books? Is one easier for you?
Andrew: Um, I think that the easier one is whichever one I’m not doing. (laughs) Yeah, it’s all hard. There’s a part of me that really loves the book making process. Part of that is because I can stay home, it doesn’t involve a lot of travel, [it’s] a slowing down. It’s work, but it isn’t frantic work. Being on the road, playing music, there’s a lot of travel and deadlines and craziness, whereas book writing is probably more diligent work. It just doesn’t take me away from my wife and kids, so I really love that. With that said, I’m supposed to be writing book 4 right now but it’s been like trying to push-start a semi truck. Like I’ve had a really hard time mustering the discipline to really dig into it, so ya know, it’s all really hard, man. (laughs) It’s like planting the garden, the only way to get good fruit is to sweat and bleed for it, so that’s where I am right now.
FC: But maybe that’s due to the fact that you have a new record coming out too…
Andrew: Well, that’s part of it. I have been pretty busy with the record thing. I feel a little bit creatively capped ya know, from writing the songs probably too quickly. So that’s part of it. If I’m really honest with myself I am also just trying to avoid it because it’s a lot of work. (laughs) When I was in Bible college I wanted to be a youth minister because I thought he was the one who did the least amount of work in the church. (laughs) I did it for a year and realized that the opposite is true. So I quit [youth ministry] thinking, well maybe I can get out of doing work if I play music. And that wasn’t really true either.
FC: You’ve touched on various themes in your previous records… What is the name of the new record, and is there an overarching theme?
Andrew: The name of the record is Light for the Lost Boy. And if there was a theme (I think the title kind of sums it up), [it’s that] a lot of the songs on this record are about growing up. There are a lot of aspects to what it means to grow up. There’s the exit from Eden, this aspect of childhood that we are all kind of exiled from as we sin and grow old which creates this longing for restoration. There’s this longing for Jesus to hurry up and come back, to let us enter this Kingdom where we’ll have undying bodies [without] the pain of age or wasting away. Ya know, the effects that occur. There’s a lot of longing wrapped up in [this record]. I’m just trying to figure it out myself too. I don’t know. I’m watching my kids teeter into adolescence and the conversations with them have gotten more difficult. It’s not like we’re having problems with them, [it’s just the] preparing them for the world they’re growing into. It’s been pretty sad for me. I mean, I’m excited because they’re amazing kids and I think they’re going to do great things for the Kingdom, but at the same time, I’m grieving a little because I know that part of the process, the discipline that we receive as children of the King is sometimes painful. They’re going to make mistakes. The older they’ve gotten the more I’ve remembered my own childhood, ya know? I remember the sweetness of it, but I also remembered some of the moments that have continued to cause me pain over the years. So I’m guessing that’s why so many of the songs deal with childhood and the longing for restoration. But honestly I don’t know. I’m trying to be better about writing the songs I write and letting the listener add his or her own DNA to the thing. Most of us have seen the movie Jurassic Park, but I don’t know if you remember the scene where they’re going through the ride and the little computer thing is animating how they recreated dinosaurs from the DNA they found in the mosquitoes. And it shows these cartoon DNA strands and they’re like, well, we couldn’t really complete the DNA strands from the dinosaur so we used some from a turtle (I think or maybe it was a lizard) to complete the DNA and we created these dinosaurs. And I think songwriting and art are like that. My songs are these strands of my own DNA but there are all of these holes in them, like the songs aren’t a complete story. So the listener then brings his own DNA to the song and it begins to mean something specific to him or her. I remember that happened with “Dancing in the Minefields” this song about my marriage. The first line is “I was 19 and you were 21 the year we got engaged…” And I’ve gotten so many emails from people who are like “your story is just like my story, she was 19 and I was 21 the year we got married” and those details aren’t right at all! (laughs) They got the numbers backwards and they got the engagement and the wedding different because these people have brought their own story to my song so much so that the details of my song becomes irrelevant. So I’m hoping that with this record that whatever I meant by it will only be the beginning of the story for what the songs do in the heart of the people who are hearing it.
FC: What music are you enjoying lately?
Andrew: I have been listening to a lot of the new – I’m trying to be careful not to say anything “bad” because I’m talking to Family Christian (laughs) – I’ve been listening to the new Bon Iver record a lot. As soon as I said that I remembered there’s a bad word in one of the songs. There’s a band called Fleet Foxes that my sons and I really like. It’s really creative, almost classical sounding folk music, “chamber folk” is what some people call it I think. And then there’s this new Ben Shive record, he’s the guy who produced my new album – he’s really great. There’s this guy Josh Garrels, he’s great. We’ve connected and I tried to talk him into the Christmas tour this year. His wife is going to have a baby right before the tour so he couldn’t do it, but I’m a huge fan of his. Josh makes me feel the way I felt when I listened to Rich Mullins, I think Jon Foreman (of Switchfoot) is like that too. There are very few people who have such great music that is so unabashedly about the gospel. I think Josh is one of those guys. Man, when I’m jogging and I hear his music, sometimes I “ugly cry.” (laughs) He’s so explicit about the God that he’s singing to and about. I’m deeply moved by that. So there’s a short list.
FC: What kind of dog is your pet, Moon Dog?
Andrew: (laughs) He is a Great Pyrenees. He’s a white, bushy, sheep-herding kind of dog. That’s Moon Dog. He’s white so he’s easy to see when he runs around at night. I also have to say, my father-in-law worked for NASA back around the time of the Apollo missions, he lived right there in Cocoa Beach where all of the astronauts were and sort of ‘lived among them.’ So [he] had a dog named Moon Doggie because he was working on the moon mission. And I always thought that was a great name, so when we got this dog I liked the idea of Moon Dog Jr.
FC: Well Andrew, thanks for talking with us today. We can’t wait to hear the new album.
Andrew: I can’t wait for you to hear it either. Thanks so much for doing this.
To look into some of the artists that Andrew mentioned in the interview, follow these links: