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Tag Archives: Featured

  • Clergy Appreciation Month

    Posted on October 7, 2013 by Family Christian

    photo credit: Jake Liefer

    You may not realize this, but your pastor works more than just one day a week. A lot oftimes pastors are taken for granted, because people don’t understand the amount of work it takes to prepare and deliver a sermon, visit with people who are sick, counsel others, and lead a church staff all at the same time. It is not easy to juggle all of these duties, and it can be physically, mentally, and spiritually taxing on them.

    Now it is time to show how thankful you are. This month is Clergy Appreciation Month. It is a time to do something above and beyond the norm, in order to give back to your pastor.

    Below are eight different ways you can express your gratitude to your pastor. While this list is not all-inclusive, it does provide you with a number of ideas to get you started thinking about how you can celebrate.

    1. Do Something Special During The Service: This could be anything from a testimony shared by a couple people, to a video or slideshow presentation, or even a thank you flash mob.
    2. Do Something Publicly: Connect with your local Christian bookstore or radio station, and have them recognize your pastor through activities or advertising about them. You could also ask local businesses to put up signs, or put up a special message if they have signs already.
    3. Plan A Big Event: You could organize a big banquet, or just a little after church picnic one Sunday. You could also try and plan a fun night out of bowling, or something similar.
    4. Create Special Decorative Pieces: Create a giant banner and have as many people as you can sign it, put together a memorial scrapbook, or gather people in front of the church and take a picture of everyone together.
    5. Renovate: Maybe your pastor’s office is a little dark and plain. Brighten things up with a new paint job and a new picture. You could also buy them a new desk, or other office supplies. Don’t limit your interior design skills to just the office. Their homes may be in need of a makeover as well.
    6. Purchase A Large Gift: You could either use the church budget, or collect special donations, and then purchase one big item for your pastor.
    7. Purchase A Lot Of Small Gifts: Does your pastor love a certain kind of candy? Get a lot of people to bring in a small bag, and you’ll be able to give over a month’s supply.
    8. Often Overlooked, But Most Important: Your pastors are always in need of prayers, love, and support, just as much as anyone else. These are gifts that should not be saved for clergy appreciation month, but given every day.

    These are all great gifts that your pastor will surely be grateful for, but you don’t need to wait until next October to give them again. Some of these gifts can be weekly, or even daily, and can really grow your community.

    For gift ideas, click here.


    This post was posted in Uncategorized and was tagged with Featured, Gifts, Clergy Appreciation Month, Pastors

  • Liz Curtis Higgs - She's Smart. Witty. Serious. (And a cat lover.)

    Posted on October 3, 2013 by John van der Veen


    In her best-selling series of Bad Girls of the Bible books, workbooks, and videos, Liz Curtis Higgs breathes new life into ancient tales about the most infamous—and intriguing—women in scriptural history, from Jezebel to Mary Magdalene. Biblically sound and cutting-edge fresh, these popular titles have helped more than one million women around the world experience God’s grace anew.

    Her best-selling historical novels, which transport the stories of Rebekah, Leah, Rachel, Dinah, Ruth, and Naomi to eighteenth-century Scotland, also have invited readers to view these familiar characters in a new light.

    Liz is the author of nearly 30 books, with more than 3 million copies in print. Her popular nonfiction books include Bad Girls of the Bible, Really Bad Girls of the Bible, Unveiling Mary Magdalene, Slightly Bad Girls of the Bible, Rise and Shine, and Embrace Grace.

    Liz is married to Bill Higgs, Ph.D., who serves as Director of Operations for her speaking and writing office. Liz and Bill enjoy their old Kentucky home, a nineteenth-century farmhouse in Louisville, and are the proud (and relieved!) parents of two college grads, Matthew and Lillian.

    Liz was traveling through the area and stopped by our offices. I had never met Liz before and honestly, I didn't really know what to expect. What I met was a genuine follow of Christ. Or, in other words, a sinner/saint. Liz is not perfect. She has a "past." But more importantly, she is a child of a Great King. She stands as a testimony of God's grace and mercy.

    Thankfully, Liz is now a friend. No, she's a sister. For that I am thankful.

    John: How is Jack, your cat? (In case you, reader, didn't know this, Liz is a lover of her cat, Jack.)

    Liz: Jack the cat is wonderful. Jack the cat has a story.

    John: Oh, does he really?

    Liz: Oh, yes. Well, when cats adopt you they always come for a reason. I was doing a book called Mine is the Night. The book, by the way, is based on the Book of Ruth but set in 18th century Scotland. The hero was going to be strong just as the Bible says Boaz is. In the Bible that means a man of warfare, a man of battle. But I wanted him softened by something, and I decided he would have a cat! I was all prepared to do a Facebook bit where I said to people, "Send me pictures of your cat, and I'll choose one to be Jack's, the hero, Jack's cat." Before I could, literally the day I was going to start the contest, a cat walked into our house.

    John: Oh, so you didn't go seeking him?

    Liz: I did not.

    John: He came seeking you.

    Liz: My husband is not a cat person. My husband walked in with this cat in his arms and turned to my daughter and I—we're total cat people—and said, "Have you ever seen this guy before? Because he's hanging around the back door like he wants to come in." We took one look at him and said, "Hello!"

    I have him on my website. He's so handsome. He really is. He's just a very handsome cat. I knew right away he was Jack's cat and therefore, his name really ought to just be Jack. So we have Jack the hero, but we also have Jack the cat. He is described verbatim in the book. I just used him as my example. It's just fun.

    John: I love it.

    Liz: Jack has been with us ever since, and he's the best cat I've ever had. Don't tell Big Cat, Tiger or Mac—cats of the past.

    John: Liz, you write fiction, non-fiction, children's literature, you're a speaker, you're a Bible study teacher, a Bible study leader, and you have DVDs out. You wrote a column for Today's Christian Woman for how many years?

    Liz: I think it was right at ten years for them.

    John: You're a mom. You're a wife.

    Liz: I am, and I sing alto in the choir (laughing). I do! When they let me.

    John: How does a mom with a couple of young kids at her feet, or a single parent dad who's in the midst of life, a business leader not look at you and think, "Look at everything that she's doing. She must have everything all together and everything seems to be always falling apart for me." What do you say to that person, Liz?

    Liz: Well, first of all, things always look like they're falling apart from where I'm sitting too. I feel like I'm juggling so many balls in the air, and some of them do slip out of my hands.

    I think the hardest thing for us to deal with, whatever we're doing, whatever our situation, whether our kids are younger, older or we don't have them, there's always the fear I haven't done enough or I haven't done it well enough. Those are the two big challenges for me: I haven't done enough or haven't done it well enough. This is when we rest. We just have to rest in, "I did everything I could with all the hours I was awake, and now I'm going to trust God with this and keep going."

    If you're a perfectionist—and I most assuredly am—it's very difficult because you're never going to be finished with a task. You're never going to be fully happy. I've never turned a book in where I've said, "Yup, nailed it," ever, ever. I'm always so anxious for the first draft to come back to me so I can write the second draft. Then I think at the end of the second draft, "It's better, but it's still not right." I'm always really grateful when I get it back again from another set of editors and I get to write the third draft. Eventually, you know, they just come take them away and they won't let you have them anymore.

    John: It's time to turn it in.

    Liz: Exactly, so that's the rest piece. You finally have to rest in this: "I did the best I could, and it was God's work anyway. If God is working through me, then I think He is at peace with this as well." So many times we deal with a nagging voice. Maybe it's just me, but I know that nagging voice. I know it's never God. God is not a nag. He will convict by the power of the Holy Spirit. He'll convict us when we need to go a different direction, when it's time to have ears to hear and eyes to see and do something different. But conviction is healthy. That's the Holy Spirit drawing you to God.

    The other voice is condemnation drawing you away from God, telling you you're not good enough, not finished enough, do better, this is terrible, all those kinds of messages. You're not a good enough father, you're not a good enough wife, and your husband deserves someone better than you. All that kind of condemnation is never from God.

    That leaves one other option: It's from the enemy of our souls. I think when we can hear the difference between conviction and condemnation, we can take the conviction as the gift that it is. It's a gift. God wants to change us. He loves us so much He wants to change us. As for the condemnation, you need to send the one dishing out those lies back where he came from, because it's untruth and we don't need any more untruth pouring into our ears. That's one thing I try to do is to discern the voice.

    John: Earlier today, you shared a short testimony about how you came to know the Lord. How did you move from that experience of saying, "Okay, Jesus and me together," to now, "I have a voice and I need to start sharing my life experiences with others”?

    Liz: The truth is you start sharing them immediately with the people around you. You're already moving from experiencing it yourself to sharing it with other people, because it's the most natural thing to do. If you see a movie you love, you are texting people before you leave the theater. If you read a book you love, you want everybody to hear about it. You jump online and leave a review, whatever your deal is.

    It is our nature when we have good news, any kind of good news, to tell people. When you get the best news in town, you tell people.

    The only reason we stop telling is because we hit some resistance, or we begin to become self-conscious about it, or people treat us a little differently and we're not sure we like that. We begin to grow quiet about the Lord. I know sometimes people will say, "I have a quiet faith," but I don't think we're called to be quiet.

    You have to find a way, and God will certainly show you, to share your faith in a way that is congruent with who you are. I mean, I'm loud and carry on and I'll stop complete strangers. I've had situations where I've gone into a restaurant alone, but I strike up such a conversation with the people in front of me that when the waiter comes over he expects to seat me with the people. He's sure I'm with them. Because it's just my nature to talk to anybody, anywhere; but that is not everybody's thing.

    Quiet people find other ways. Sometimes they become writers. Ann Voskamp is a most extraordinary writer, and that is how her gift happens, that's how her sharing happens—on the page. Other people are incredible servants, they are doers behind the scenes, but their actions speak more loudly than my words would ever speak because it's done with such grace and such humility.

    We all do have ways to do it, but I don't think doing nothing is one of the options. I think we all have to find a way to walk Christ out among the people around us.

    John: Liz, is there anything left on your bucket list?

    Liz: Oh, what a great question. I used to want to jump out of an airplane, you know, with a parachute attached. I've decided that, even with the parachute, it would be such an ugly thing to watch, that we're not going to be seeing that one in my lifetime (laughs). So, no jumping out of a parachute.

    There are many places in this world I long to go. As it happens, because I write historical novels set in Scotland, I just keep going back to Scotland. The truth is, I would love to get to Italy. I've never been there, I'm anxious to go. I mean I'd love to go anywhere. I'd love to go to Russia. I'd love to go to India, very high on the list. I've never even been to Ireland, and it's 20 miles across the Irish Sea from the coast of Scotland. So there are many places. My bucket list is full of travel.

    In our family, travel is what we do for each other. When the kids graduated from school, we never gave them stuff. We took them on a trip. That was the deal for graduating—a trip anywhere they wanted to go. It's so fun, because then you're making memories as well as expanding your understanding of the world and seeing what a small part of the world this country is. We kind of think we are big. We are big, but we're not the only game in town. It's so healthy to go outside our shores. Humbling, really.

    John: From Bad Girls of the Bible to Really Bad Girls of the Bible to Slightly Bad Girls of the Bible, those books have certainly done well. Why do you think there is such an affinity towards identifying with those "bad girls"? When people look at Rahab or they look at any character in the Bible, they see themselves so well. Why is that?

    Liz: It's interesting, because every once in a while I'll take a little heat for focusing on the bad girls. I always say first of all I didn't put them there. They were already in the Word. All I did was bunch them up together. I did that I think because we do tend to gloss over the bad.

    At least in the "women of the Bible" books that I've seen, they tend to focus on the good girls. You know, Esther Lydia, Priscilla. I thought, "Well, the Lord has put these bad girls in the Bible for a reason." Of course I'm a former bad girl, so I'm coming from that very personal place of saying, "What does God want me to see in these women's lives?"

    I have to say this. In Bad Girls of the Bible, and for that matter in the other books as well, I found a bit of myself in all of them. You have to cut away the cultural differences. We eat different foods, we wear different clothes, we live in different kinds of houses and have different transportation than they did two or three thousand years ago. But the bottom-line stuff is the same whether it's lust or greed or whatever—any kind of sin you want to come up with. Pride is always the basic one. That hasn't changed at all. Human nature is the same as always.

    When we identify something about that bad girl that resonates with us, then we read her story with a different eye and we see how things turn out for her. It didn't turn out too well for Jezebel, who turned her back on the one true God and worshiped her daddy's god, Baal. It didn't turn out well at all. Shoved out a window, trampled by horses, eaten by dogs, such that there was nothing left that identified her even as woman, let alone as Jezebel. This is God's statement on what happens when you turn your back on Him permanently, when you have no interest in Him, when you shut Him out completely.

    She's a cautionary tale, but one worth looking at because it not only shows the big picture Jezebel, killing off the prophets, but her story in the Bible shows the small domestic scene with her husband, which for many of us who are strong-willed women will look really familiar. She kind of takes over: "I'll get you the vineyard. I'll take care of it. Give me your seal. I'll write the letter. I'll take care of it." Those of us who, as we used to say back in the day, like to wear the pants in the family—that's a funny phrase, isn't it?—we can learn from Jezebel. We can see the ugliness on the page and go, "I don't want to go there."

    I think there is something to be learned from all of them. Of course our favorite ones are the ones who are redeemed. Those are the ones that really give us hope. Those are the ones that prove you can't go too far. God's arm is not short. He's going to reach you. Those are the stories I tend to speak about from the platform.

    I'll touch on the other women, but hope is the main thing we offer our readers, our audiences, our friends. Hope! So the stories of the "Rahabs," and the woman at the well, and the sinful women of Luke 7 … incredible story. She never even speaks. She's kind of a little cage-rattler that one, because she never speaks, she never asks His forgiveness, she never prays the sinner's prayer, she never confesses her sin. Wow!

    Does it count? It must, because Jesus says twice, "You are forgiven." It's repeated twice, just in case, just to make sure. Then He says, "Your faith has saved you." Wow. I thought Jesus saved her. Yeah, He did. Her faith in Him saved her. "Go in peace." I love that story. "Go in peace."

    To my knowledge, that's what everybody in the world wants: peace. We take some pretty convoluted paths to get there. Jesus says, "My peace I give to you." He's the one who is all about peace.

    I love the women of the Bible, and I do especially love the bad girls. I won't ever be writing a book called Good Girls of the Bible. I'm asked a lot to do that. But the stumbling block for me is the Bible says in Jesus's own words, "No one is good except God alone." It's the truth.

    I mean even if I do a good thing, it wasn't Liz. It was God kindly doing a good thing through me. It's His righteousness, not mine. I just can't go down that road of finding all the good qualities in these women, unless I just pointed every one back to God. I could do that. Bad girls and I, we still have a little more ground to tread. I haven't done them all yet.

    John: There's more to come?

    Liz: Well, probably nothing called Bad Girls of the Bible in any shape, slightly, really, mostly, somewhat (laughs). I think we're done. There are still more women I want to write about. There's some that I've tucked in my pocket, thinking, "Someday." They're jumping out of my pocket now one by one. It's really fun.

    John: Who do you write for? Do you write for Liz, or do you write for the people you go to church with, or do you write for the people who have read your books before? Who do you have in mind?

    Liz: I have in mind Liz at 26. I came to know Jesus at 27, but I always think about Liz at 26. In other words, I make no assumptions about what people know or don't know about the Bible. I try and really spell it out. It might therefore come out as a little bit simplistic to somebody who's deep, deep, deep in the Word. But hopefully, because I also do tons of research and use about 40 English translations, there's also plenty of meat there for a believer who's been at it a while. I try to keep my language really accessible and not turn off Liz at 26.

    Actually, she's not the only person I write to because we write to more than one. There is kind of this group of people. I can see them, right behind my screen. There's Liz at 26 and there's my mother-in-law. I think about who she is. She's an avid reader, 84, so an older woman. Presbyterian her whole life. There's a particular something she's going to respond to. I'm also thinking about other women of other ages and stages, married and single, deeply in the Word, new to the Word. You kind of have this little group of women and they're all peering over the screen at me. "Got something for me?" And I say, "Here, this is for you, Liz at 26, and this is for you, Mary Lee. I know that you'll really resonate with this, and this is for you."

    John: Are you a reader?

    Liz: Oh, yeah. This, I don't know what this will do to my credibility, but what I read is fiction. I'm a fiction reader.

    John: Any authors that we know?

    Liz: Well, Francine Rivers has always been my hero. She's always written boldly. Redeeming Love was bold for Christian readership. She put it all out there. Actually, I read Redeeming Love in the original. She wrote it for the general market first. Then when she came to know Christ, she got the rights back and Multnomah was able to publish it for her. There were some adjustments made in the book, but it was powerful in either form for sure.

    I love fiction. I love historical fiction especially. Obviously, when I'm writing non-fiction I've got all sorts of research books around me. I love all the classics. I love Practicing His Presence, a book like that, small, powerful. Anything by C.S. Lewis. Mere Christianity was really the book that spoke loudest to me as a new believer.

    Actually, before I came to know Christ, when I was on that journey of the sun growing brighter and brighter, it was just overwhelming to me because I come from a family who really values education so everybody has master's degrees and are just very impressed with being educated. Which is great, obviously. But Jesus asked us to come as simple as a child.

    To read Lewis, who's obviously brilliant and yet sees also the simplicity in some ways, just blew my mind. A man that’s smart thinks this is the answer? I was having a hard time arguing with him. Of course, he presents arguments so skillfully. He'll present the argument and then lay out 1 through 10, here's all the reasons why. You can't come up with 11. It's like, "I agree!" (Laughs.)

    John: You twisted my arm! HA!

    Liz: That's right. You have very effectively twisted my mind. You've taken this very intellectual journey and come to a very spiritual place. It's unique. Of course, I marvel that he wrote not for a Christian publisher, he wrote for the world. He did radio broadcasts for everybody.

    John: What has God been teaching Liz Curtis Higgs lately?

    Liz: So many things. It's hard to know where to start. One word He's pressing down so hard into me is "gratitude" and the responsibility that goes with all those gifts. I don't mean gifts as in talents; I mean just the blessings.
    To be really grateful and always expressing that gratitude, and never, never letting myself indulge in even a moment of, "Hey, I did a pretty good job there." We just can't go there. We can't say, "I did a pretty good job." You might say to yourself, "Wow, God. Wow, God, I had a sense of You at work there. How did I get to be a part of that? I don't know, but thank You." It's just so different.

    I heard an interview with an author on NPR and I learned so much and was greatly convicted. After every sentence the unstated was, "Aren't I brilliant?" "I did this, I did this, I did this." That's what I heard behind the words. It was convicting because I thought, "Oh, my word. I've got to go back and listen to my interviews and say, 'Is that what I was also saying? Aren't I brilliant?'" So, I'm not. I know that. I think that's the one thing God is trying to make really clear to me. That if there is any good thing, it's just Him.

    And Liz continues to write. To be an influence. At the time of this interview she was just finishing up her new Christmas title, The Women of Christmas.

    Liz is here to stay and for that we all can be thankful.


    This post was posted in Books, Interviews, John van der Veen and was tagged with Featured, C.S. Lewis, Francine Rivers, Liz Curtis Higgs

  • Five Questions with Cindy Woodsmall

    Posted on October 2, 2013 by Family Christian

    Cindy Woodsmall is a New York Times and CBA best-selling author of numerous works of fiction and one of nonfiction. Her connection with the Amish community has been featured widely in national media. She lives in the Foothills of the North Georgia Mountains with her family. Her new book, The Dawn of Christmas, is heart-warming tale of second chances.

    Below are a few questions for Cindy and her answers.

    What is your favorite and least favorite aspect of writing novellas?

    My favorite part of writing novellas is that I find them remarkably energizing and inspiring. If writing a novel were compared to running five miles every day during the dog days of summer, writing a novella is like a two-mile jaunt in fall.

    I think part of the reason novellas foster that feeling is the timing. I’ve been blessed to write two of my three Christmas novellas during winter, which includes Christmastime. Every morning, I would walk into my office, open the windows a little, and enjoy the rush of cold air with its aromas of evergreens and winter Daphne. Invigorating! I would get a large mug of hot chocolate, bundle up in a blanket, put my fingers on the keyboard, and slip into another world. There’s nothing quite like penning a Christmas story during that holiday season.

    As for my least favorite part, that’s clear in my heart too. The most difficult part of writing a short work of fiction is that I long to have at least three hundred thousand words to tell the story, which is what I have when writing a three-book series. When I’m writing a novella, I have to stop myself from allowing a character to fascinate me to the point of adding another subplot to the book. Without exercising restraint, I could turn any novella into a three-book series. For example, in The Dawn of Christmas, there’s a character named Andy. He’s the older brother of the main character, Levi Fisher. He doesn’t have any POV (point of view) scenes. But Andy’s story grabbed my heart and would not let go. So next fall a stand-alone novel of Andy’s story will hit the bookstore shelves. To be honest, even three hundred thousand words isn’t always enough for me to develop a story. Sometimes I need four hundred thousand words—which is why book four in the Amish Vines and Orchards series comes out this spring.

    Do you outline your books before writing or "wing it" as you go?

    I spend a lot of time outlining. A lot. Research is quite time consuming too. But while outlining for extended periods, I get my first glimpses into who the characters are, what motives them, what breaks them, strengthens them, terrifies them. And why. While outlining, I come to know the goal, motivation, and conflict for each character in each scene. I wish I didn’t need to outline. But even when an entire story comes to me through inspiration, I have to break it down into chapters and dig to uncover the background of each character. Once I start writing, the story doesn’t always follow my outline, certainly not as I hoped it would. But outlining is like planning for a child’s birthday party. You make meticulous lists and purchase all the items and make detailed plans for each activity. But once the party is under way, you meld the planned with the unexpected and enjoy it for what it is: exhausting and joyful.

    Is Sadie Yoder a real person?

    Sadie is based on a real person. With many brushstrokes of creativity, I used aspects of her personality as well as some details of her real-life journey. When it came time to write that first scene, I cried at the heartbreak Sadie Yoder went through. But with all of her overwhelming insecurities and her obsessive desire to please everyone, she found a way to blossom into someone God could use and someone she herself liked.

    Can you share more on the Amish and their view of foreign mission work?

    Most Amish don’t travel overseas to do mission work. It’s not unheard of, but it’s not a part of their traditional ways to do outreach ministry. At the same time, if an Amish person felt pulled by God to go, the church leaders would prayerfully consider it.

    The typical way the Amish minister overseas is through their Plain Mennonite neighbors. Plain Mennonites are heavily involved in overseas ministry. It’s expected of most Mennonite young people to spend a year or more in service, and that service is often overseas.

    So the Old Order Amish will join hands with the Plain Mennonites and sacrifice time and money to help get goods overseas. Miriam Flaud, a good friend of mine who’s Old Order Amish (and my coauthor of the only nonfiction book I’ve written), touches on this topic in Plain Wisdom: An Invitation into an Amish Home and the Hearts of Two Women.

    The charity the Old Order Amish are most involved in is Christian Aid Ministries. Amish women make quilts, blankets, and clothes for poor people in other countries. They also gather clothing items and spend weeks washing, ironing, and mending them. They then go to a Christian Aid Ministries outlet and spend days or weeks boxing up the goods in individual packages to send overseas. (Think “shoebox” giving, only with larger packages.) Amish men help load the goods on trucks and also contribute money to purchase goods to send overseas—soaps, toothbrushes, toothpaste, books, etc.

    Because their hearts are very home oriented, the Amish rarely leave the US. However, they are extremely active in helping rebuild domestic communities after disasters. Whether they travel by hired driver, bus, or train, large groups of Amish will go to a devastated area to pitch in. As excellent carpenters and tradesmen, their help is highly valued. More men participate in these activities than women, because the women need to stay home with the children. But in a crowd of ten to twenty men, up to three women will go. They help with cleanup as well as provide meals and clean clothes for the workers.

    Every year or two, Amish districts work together to build a home from money the community members have donated. Once it’s built, they sell it for the best price they can get and give away all the proceeds, usually to families—either Amish or Englisch—who are dealing with overwhelming health issues and/or medical bills.

    What kinds of struggles do women who read your books have?

    From talking to readers over the years, I get the sense that they’ve experienced the wonders of love, the depths of grief, and everything in between. In other words, they’ve struggled with, either personally or through a loved one, every challenge my characters face. My readers seem to be very self-aware (able to see themselves for who they are and accept the beauty and challenges of this wonderful, difficult, fleeting life). They’re energized by faith, hope, and love, and they want to make a difference with their lives.

    I think that’s why they enjoy inspirational fiction. It reminds them of things they’ve experienced or heard about, but it takes them down a new path, opening their minds and hearts and bringing healing and understanding.

    For them, reading is similar to watching a heartwarming new movie that’s set in the hometown where they grew up or went to college. The experience feels both welcomingly familiar and yet fully original. And whatever their struggles, when they finish the book, they feel strengthened to walk or keep walking by faith. And to trust that there is hope in every battle.

    For more from Cindy's new book, The Dawn of Christmas, click here.

    For all of the books from Cindy, click here.

     

     


    This post was posted in Books, Interviews and was tagged with Featured, Fiction, Cindy Woodsmall, Amish

  • God's Not Dead

    Posted on October 1, 2013 by Family Christian

    God's Not Dead is a new film about faith and the limits one young man will go to in order to defend his belief in God. Josh Wheaton (Shane Harper), a freshman college student, enrolls in a philosophy class taught by an infamous and dictatorial professor. Dr. Radisson (Kevin Sorbo) demands that all of his students must sign a declaration that "God is dead" in order to get a passing grade. Josh refuses. But, he needs to take this class to meet his academic requirements. And so the professor strikes a bargain: Josh must defend his position that "God is alive" in a series of debates with him in order to stay in the class. If he loses, he flunks. When Josh accepts the challenge, he gets more than he bargained for -- jeopardizing his faith, his relationships and even his future.

    Watch the trailer here:

    The movie stars Kevin Sorbo (Hercules, Andromeda, Soul Surfer), Shane Harper (Good Luck Charlie, High School Musical 2), Willie and Korie Robertson (Duck Dynasty) and features a concert appearance by Gold Record award-winning and Christian super-band Newsboys. The movie also stars Dean Cain (Lois & Clark: The New Adventures of Superman) and David A. R. White (Evening Shade, The Moment After 1 and 2, Jerusalem Countdown).

    Listen to the new song from Shane Harper here:

    When your faith is tested, can you explain what you believe?


    This post was posted in Movies and was tagged with Featured, Newsboys, Duck Dynasty, God's Not Dead, Shane Harper, Kevin Sorbo, Soul Surfer, Dean Cain, David A.R. White, Jerusalem Countdown

  • Laura Story - I Can Just Be Me - Story Behind the Song

    Posted on October 1, 2013 by Family Christian

    Talented worship leader and songwriter Laura Story is best known for her inspirational hit "Blessings" and for co-writing "Indescribable," a Chris Tomlin anthem. Now, with her third studio album, God of Every Story, Laura returns to that deep place of vulnerability before the Lord and honesty with herself.

    Award-winning producer Ed Cash helmed the deeply personal project, and their shared Carolina roots led to the incorporation of acoustic and epic instruments into this worshipful pop album. Lyrically, God of Every Story draws from Laura’s own life. Her husband’s brain tumor early in their marriage led the young family down a painful path she wouldn’t have chosen, but one that deepened her faith and her music. The resulting songs show God’s love and grace intersecting with real life, making this album a wonderful reminder that despite our questions or circumstances, God is the ultimate author of our story.

    Below, is her new story behind the song, I Can Just Be Me.

     


    This post was posted in Music and was tagged with Featured, Laura Story

  • The Mysterious Apology of Derek Webb

    Posted on September 30, 2013 by John van der Veen



    What is an a apology these days?  We are all guilty of cheapening the phrase "I'm sorry." We say it a lot. A lot a lot.

    So what does it mean to be really sorry for something? And how do we go about in reconciling the wrong that was made? Some of us would tend to try to sweep our past mistakes under a rug and have them forgotten. But truth-be-told, they have to be dealt with. This is not just that that humans can reconcile with each other, but it's so that it shows a much greater story of forgiveness. Namely forgiveness found in God showing grace and mercy to wretched humans. Showing forgiveness.

    But the question remains. How do we apologize to each other? How do we seek forgiveness in the relationships that we have? Derek Webb is attempting to answer these questions and many more. His new album, I Was Wrong, I'm Sorry & I Love You shows a vulnerable side to this man. For many would call him a cynic, or a stone-thrower, or a I'm-going-to-make-my-art-and-I-don't-care-who-I-hurt-or-step-on-or-push-in-the-process type of artist.

    I sat down with Mr. Webb over a cup of coffee after we enjoyed a great meal. I mention this because it's important to point out that a meal was shared. This meeting was intentional. Not just for an interview with a large retailer, but truly to make a statement on Derek's part.    A statement that says "I'm sorry" or "I was wrong" or "I really do love you guys."

    [Spaced throughout this blog post, there are live, acoustic version of the songs from I Was Wrong, I'm Sorry & I Love You]

    John: I think the biggest question that we need to start with, Derek, is: What are you sorry for?

    Derek: What am I sorry for? I need to start by saying that growing up, I always heard that the three things you had to learn to say to anybody to keep a relationship going were, "I was wrong, I'm sorry, and I love you." Those were the three things you had to learn how to say in a marriage, in a church, in a family, in a business relationship. Coming out of the last five years for me, creatively, from Stockholm Syndrome to Feedback to SOLA-MI to Ctrl, It's been a really experimental, very abstract, three, four, or five years that I think have been pretty challenging to my people.

    It just felt like here at the 10-year mark for my solo career, it felt like the right moment, not to restate anything, but to clarify. I've never felt the burden of having to restate anything I've said previously to justify saying new things. I think that's been challenging for some people, because they'll hear me say things that seem in contradiction with things I've said previously. So they assume I don't believe those things anymore.

    The rule should be that I'm always building upon whatever I've said previously. I started with She Must and Shall Go Free and I've moved out from there. Unless you hear me clearly recant something I have said previously, assume I still believe it, even if it seems complicated in light of what I'm saying currently.

    I realize you can't only agitate people. You have to also make sure that you're resonating with people, too. I feel like I have been really erring on the side of doing the part of my job that involves trying to find creative ways to disrupt peoples' ideas. I have to balance that with saying things that resonate with them, not just poking at people and not just questioning. I need to allow myself a moment for some encouragement and for some hope. There's been a lack of that for the last five years or so.

    I don't like to go back. I like to go forward. But this did feel like a moment to clarify and say, "Whatever it is you've heard me say over the last 10 years, 20 years even, let me clarify and give you the context of why I was saying it or what I would hope to have communicated." The posture from which I've tried to say it is being open to being wrong, asking for forgiveness, and communicating love and care.

    That is the motivation behind anything I've ever done. It's less of a specific apology and more the modeling of a posture of this is how we do this, this is how we, as diverse members of one body, survive in a room together and build a kingdom together. We have to learn how to tell each other that we're sorry and that we're wrong and that we love each other. That's hard work, but that's what it is.

    John: When you left Caedmon's Call, do you think you set out to start poking fingers?

    Derek: I don't feel like I knew enough about myself as an artist to have been terribly intentional about that. When I left Caedmon's, the band was putting out a record maybe every 18 months or 2 years. I was writing half of every one of those records, five or six songs every eighteen months. That's just not enough to really find your voice yet. It was enough to educate myself in the craft a little bit in terms of songwriting, but I didn't know who I was as an artist.

    That's why I've been so grateful for my first record. We've just crossed the 10-year anniversary of that album, and I toured as a celebration of it. I realized what a kind of prophetic statement that record was for the rest of my career. It had songs like "Wedding Dress" on it, which made it a really complicated fit into the market. But for me, it was really honest and felt really important and it was hyper-confessional.

    My conscience was very clear in terms of putting the song on that album. I had the support of my pastor, who knows me, my wife, my friends. I asked questions like, "Is this cavalier, or could this be helpful? This is a hard word, but do you think it's worth it?" Everybody resoundingly said, "Yes. We support you. We think you should. We know it's going to be hard, but you should do this."

    I could not have known the trajectory of my career was that I was going to become known for that. I didn't know I was going to find myself as one that was really wired to do that: looking for the bits that need discussion I didn't know I would be in this fortunate position, coming out of 10 years in a really successful band, bringing support with me. It gave me a really unlikely strength as a debut artist.

    She Must and Shall Go Free is an unlikely debut record. Any debut artist's first record out of the gate would have gotten dropped after that. But because I had this incredible support coming out of Caedmon's, I was able to push it through. Then I was able to move on from there.

    Caedmon's started that way. We wanted to be disruptive. We wanted to say hard things to people and challenge the status quo. We were young, but that's what we were in it for. After a few years, as we started to get successful at it, we became our own worst enemies.

    The two worst things for an artist are success and failure, and especially in that order. For us, we did really well really early. Then the things we never wanted in the first place, we weren't getting anymore in terms of industry accolades. It made it really hard to not want to put our hands on the controls and start to tinker with it, manipulate it a little bit.

    What happens is, as you get further into it and you have that success at it, the platform just gets higher. You're out in front of more people and the platform gets higher. After a while, your full-time job is working on the platform, strengthening it, being careful with it, and making sure it is steady. You're either working on your platform or you're standing on it, and you just can't do both. For us, we wound up getting off the platform, securing it, working on it, building on it and trying to make it steady.

    The higher it gets, the higher the stakes get, and the less likely it gets that you're ever going to get up on top of it. For me, the trajectory for my career has been like a cycle of self-sabotage. I have tried to protect my career against big moments of success. I don't want them. When the label says, "Go do this thing, because it's going to open it up, and you're going to get discovered, and it's going to be this thing, you're going to sell a million records," I will not do it. I will do everything I can to sabotage it.

    Any time the label has thought I had a big song for radio, I will produce it in a way that sabotages it to make sure they cannot put it on the radio, because I don't want that. I've had that and I know what happens. My goal is to stay low to the ground. I don't want to get very high, not in front of very many people. I want to stay low to the ground so that if I get knocked off, I can get back on fast.

    The platform exists so I can build it back really fast. I want to be tenacious and I want to be able to be faithful. Success and faithfulness are two different things, and it's good to learn the distinction. For me, I don't want to have the high platform. I want the low platform. If I sold a half-million records next year, my career would be over. I'd be miserable. I want to find who resonates with my particular point of view, and how can I really faithfully provide language for them to confess things they wish to believe?

    John: What if you found a half-million people that resonated with that?

    Derek: There could be a half-million people out there who resonate with what I do, but I don't want them if they come in any less than 10 years. I want it to take me 10 years to find them. If they all come in overnight, then that's not good news. That's bad. I've seen it too many times.

    John: On She Must and Shall Go Free, the song "Wedding Dress" uses the word "whore." You would not necessarily attach that word to the church, although in honesty, that is who we are.

    Derek: That's who we are told we are in Ezekiel and Isaiah.

    John: Absolutely.

    Derek: With much harsher language than what's in "Wedding Dress."

    John: So you were being very kind to us?

    Derek: I can make people blush with "Wedding Dress," but I can clear a room with Ezekiel 16.

    John: Were you not setting yourself up to be within the four walls of the church, saying, "Hey, there are issues here."

    Derek: Yes.

    John: You're essentially saying, "You're looking at some sort of lofty expression of who you think you will become one day, or you're turning into this bubblegum Christian." How did you decide to start moving within that realm, but yet at the same time, attempt to reach out to those outside of the four walls of the church?

    Derek: In Caedmon's, I was always the least comfortable one out of the seven of us when we would play at a church. I was always the one that was like, "Man, isn't there a neutral venue in this town? Do we have to play in place where the building itself alienates people? Why can't we be in a normal place where people come and hear music that has no worldview prerequisite to walk in the door, that has no physical structure to it that draws in memories for people of ways they've been wounded?"

    I never imagined being a solo artist. All through my life, I've been playing music. And I have always loved collaborating. I've always loved being in bands. I've always loved being somebody's guitar player or somebody's background singer. If I ever did think about what I'd do, I definitely thought I would escape, I'd move out of the ghetto, like I don't want to stay in Christian music or whatever.

    I don't believe in Christian music. The word Christian, when it applied to anything other than a human being, is a marketing term. But when I was writing the songs that led to my first record, I realized I had a lot of questions about if church was necessary. Do I have to go to church? Is church a necessary part of this experience? If it is, what's my role in the church, and what's the church's role in this culture? How does all this work?

    I have a lot of questions after 10 years in Caedmon's. I think we had been really careful not to bite down too hard on the hand that was feeding us for a lot of those years. I think what finally turned the corner was when I got married and felt a little stronger, a little braver. I started to write songs that really were going after what I was seeing, thinking, "Why is nobody talking about this? Everybody knows about this and nobody's talking about this. Why?"

    The band's reputation couldn't bear that at that point, and they were rightfully protective, I think, of what they were building. But they also thought my new songs were important. They wanted me to play and record them. They knew that there's no way I could do it and still be in Caedmon's. That was too demanding.

    It felt more like them sending me out. It wasn't like a nasty division. They're still some of my dearest friends in my life. They always have been. I was surprised as anybody when that batch of songs I had at that moment were all very much about the church.

    I had always imagined that if I got a record deal on my own, I would go and do it with a normal mainstream company. Then here I am, sitting on a record full of songs about the church. I thought, "This is exactly what some people call Christian record labels do best." It didn't make sense to go outside of the Christian world and then market it back in.

    I wanted to be a voice from the inside. I had spent 10 years in Caedmon's, so that seemed subversive to me in a way that I thought was good. That's when I started my relationship with (then INO Records and now) Fair Trade.

    I've seen my friends, who have really good, healthy, disruptive things to say—I've seen them push too hard, too fast, for too long and get relegated to having to do that from the outside. I'm not interested in that. I would like to stay, because I am in this community. I am a member of the church.

    Even though I feel like over the years I've had things to say that didn't squarely speak to that community only, the fingerprints of my worldview are all over the art that I make regardless of my intention. It's the grid through which I'm looking at the world. My faith in Jesus is on everything, regardless of whether it's an intentionally Christian record or not.

    John: Going back to what you were talking about earlier: You would then say there's never been a point in time where you regretted what you said previously.

    Derek: No. Not at all. I'm really proud of all the work that I've done, and I'm really proud of all the risks that I've taken.

    John: Do you think, within the context of what you've done in the last 10 years as a solo artist, that you have stayed within the four walls of the church because there have been alliances with individuals or organizations that are loosely related to mainstream Christendom?

    Derek: Yes.

    John: Do you feel that even during those times, you were still within the very core of what being a follower of Jesus is?

    Derek: I personally do, but I have a unique perspective on this.

    John: I'm sure you do. (Laughs)

    Derek: I feel very much like a double agent in that regard. I think what people wouldn't guess about me is that I am probably more theologically conservative than the most conservative of my crowd. I've also wanted to err on the side of recklessly over-loving than fearfully under-loving people. For that reason, I think I have appeared very much on the exterior like some one of these Christian liberals, one of these Christian hipsters. I don't know what you call these people now.

    John: I don't know, either.

    Derek: Whatever it is, I've been called it all. I don't identify at all with that. I understand how they get there. I just know it's not true. But I'm also more than willing to be misunderstood if it means doing my job well. My job is not to be perceived correctly by some anonymous group of people on the Internet who demand answers from me and want me to clarify my beliefs on things to justify statements that I made. I am not beholden to them. It's not that I don't care in a way that's unfeeling; it just does not influence the decisions I make when I know what the important decisions are.

    I'm not interested in drawing lines and speaking in categories, but if people are going to do it, I want to find myself standing where I believe Jesus would have stood. That is on the side of the disenfranchised, the alienated, the oppressed, the under-loved, the complicated.

    Jesus recklessly over-loved people with no regard for His reputation. That is a model I'm trying to follow. As a result, I think I've gotten broadly painted a handful of different ways, and none of it really bothers me. It actually kind of makes me feel like I'm doing my job. When I go to particular festivals or conferences, the people who are bringing me don't know that they have secretly invited a staunch theological conservative. I'm happy to be the sheep in wolves' clothing, but I think there's been a real disconnect, mostly because these are no conversations. I'm not willing to try and give a simple answer to a question for which there's no simple answer. That is very much against the grain at this point in culture. Everybody wants simple answers. They want something you can sum up in 140 characters. They want you to give an answer publicly for things that don't have good public answers because of the way information is taken out of context and spread around.

    If anybody wants to stay after a show, talk to me for an hour and question me on things they heard me say that they don't think squares with things I've said previously or things that they think that I believe, I will stay for that hour. But I will not make those statements on the Internet, for instance.

    I have no responsibility to those people who demand answers, these nameless, faceless people on the Internet, who demand an answer because what I'm saying makes them uncomfortable. I don't have to give them one, and I'm not going to, not if it takes me out of the role of being able to do my job well.

    John: Someone once told me that a good artist is a stubborn artist. Are you stubborn?

    Derek: Oh, yeah. Do you have that sense yet? I'm tenacious and I'm stubborn.

    I barely got out of high school, so I've always had a chip on my shoulder about my education. I've put myself through seminary over the years with a lot of mentors and a lot of books. I used to love to debate after shows. I loved it too much. My most dense years of theological study were also my most dramatically unloving years. I loved really poorly during those years when I was so closely studying the Bible. I don't do that anymore. There are much more important things to me.

    If what you believe about God and about people does not eventually inform how you love and treat people in God, then it's doing you a real disservice. You're probably a ringing cymbal or a clanging gong if your theology does not ever become ethics. For a long time, my belief was not informing my behavior. I was being really unloving and loving the fight, because I'm a fighter. But I don't love the fight anymore. People have to be more important than ideas at the end of the day.

    Yes, I'm stubborn, but I'm much more interested in the points of unity now than I am over the points of division. I used to really have an eye for those points of division. I wanted to get all into that, get all into the history of it, and get into why I know more about what you're saying than you do. Now I have a lot of grief and regret about who I was for a lot of years and how I treated people and what an unbelievably confusing witness it was to the things that I was trying to convince them of at the time.

    John: Does that then correlate with the apology side of it?

    Derek: Yeah, but only to some extent, because I feel like I've been trying to say that for a long time. I could take you through every record and show you.

    John: Is that what these last four records have been?

    Derek: For example, a song like, "I Don't Want to Fight" on The Ringing Bell was basically the result of this experience. I played a show one time, and a group of guys came up to me and said something about, "Yeah, man, we've seen concerts at this church before, and these people are crazy and their theology is this, that, and the other, and we came here just to see you get up there and give it to them." They were really disappointed that I didn't "give it to them," that I actually just did my thing. They were almost acting like when somebody's upset when you had an opportunity to share Jesus with someone and you didn't do it.

    John: You didn't have an altar call?

    Derek: I didn't have a theological altar call. I hadn't done whatever they were expecting, and as a result, they were mad. They were like, "Dude, what was that?" They actually wound up wanting to fight me about it. And I remember being in the car on the way to the hotel that night writing the song "I Don't Want To Fight."

    Following the Prince of Peace, living in peace with people around you is not something you do suddenly. You do it preemptively, you plan for it. If I'm serious about living in peace with people, it has to start right here. I just didn't want to fight anymore. It seemed like a bad mechanism by which to talk about the love of God while being violent to people, which is essentially what I was doing intellectually for a long time.

    I think the last four or five years, I've been experimenting with and leaning into the creative side of my job, loving that side of it, but I have been making statements that were starting to get so nuanced and shrouded in poetry and extraction that it got to where people couldn't really find me on the records anymore.

    John: You mentioned earlier that both in Caedmon's and as a solo artist, you felt like your art has always been a disruption. That has been the goal, right? You want people to stop and grapple with what's being presented in front of them and then have them process through that.

    Derek: Yes.

    John: When you look at the definition of a prophet in the Old Testament, they had that same type of mindset, whether they would use that or their ideology behind that. Would you say for the last 10 years, 15 years, Derek Webb has been a prophet to the church?

    Derek: When I think about the word "prophet," what that means to me is a radical truth teller. I think artists, in general, have a real prophetic office. They can have a real responsibility for being radical truth tellers. There's almost no other role where you can do it the way you can in the arts. You can do it, but you can soften the blow with a melody. I've always taken that really seriously.

    I've had no master plan. I have been, if anything, following coordinates along the way. I don't have them in advance. I'm always as surprised as anybody at what I do next, what the records are, what their content is, what the sound of it is. My records have proved to be more prophetic to me than they have proved to be anything else. Songs that I did not know how much I needed to hear I have to sing.

    That is nowhere truer than on my new record. My new record is so particularly prophetic for me where I am in my life right now. That makes those songs really hard to sing. I'm really grateful to have them, because ultimately, that's the role that art can play. That's what I love about old hymns. That's what I love, in a broader sense, about the liturgy and about responsive reading and creeds and confessions.

    Every week at my church we recite the Nicene Creed. It's good to do it because I forget it in the week that elapses between then and the last time I said it. What I love about hymns and liturgy is that they provide for me a language with which to confess things that I wish to believe. I don't walk in the door believing the various bits of the Nicene or Apostles' Creeds. I don't walk in believing the contents of our readings from the Bible. I don't walk in believing any of that stuff, and a lot of times, I don't believe the contents of my own music.

    I don't believe the things that I'm saying, but I wish to. It's no wonder they're the songs that I have to sing. You might have to listen to them a couple times. You might have friends that make you listen to them, or you might spend a few weeks with my record and listen to it and then not listen to it. I have to sing these songs every night, so apparently I need it more than anybody else does. That's where I've been grateful. They provide language to confess things that I wish to believe.

    I would not try to tell you that you could listen to any of my records and find my system of beliefs holding steady, even at this moment, as much as you will find the things that I long to believe.

    John: Last question. What's the epitaph at the end of your life?

    Derek: This is not an answer to your question. Charlie Peacock, who is a legend in this business and a mentor to me, we have discovered we're wired very much the same way in terms of how we see the world. He said to me one time that he imagines his gravestone saying, "Here lies Charlie Peacock, the man who saw too much." I feel very much the same way. I feel like I have just a hyper-intense eye for justice and for detail. I'm not wired like an artist in that way. I'm not a big, broad thinker. I just see things all over the place, a lot of which I wish I didn't.

    I wish I couldn't tell you the contents of the three conversations that were going on at all the tables around where I was sitting at lunch today. My brain can't not hear and see everything. It's part of how I'm wired. I think it's informed much of what I've done in my job. Maybe that's the reason I see the things people don't see or refuse to see. I see it and I can't pretend like I don't—just like I can't pretend that I can't imagine every dangerous scenario when my kid is about to climb up on a bookcase or stand on the back of a couch. I can immediately see all 10 scenarios of everything that can happen.

    I can't pretend like I don't see the church, when we are saying things in the culture and we are treating groups of people a particular way, when we are fumbling with the words of Jesus and being a very bad advertisement for Him.

    Maybe some people just don't have that perspective. They don't see it, but I do and I go make art about it.

    So is Derek sorry? Listen to the album. Watch the video (above) and see for yourself. I think so.
    For more on Derek and his albums, click here.


    This post was posted in Music, Interviews, John van der Veen and was tagged with Featured, Derek Webb, Caedmon's Call

  • Free Wallpaper for Your Mobile, Tablet or Computer - October

    Posted on September 29, 2013 by Family Christian

    Starting this month, we are going to be providing you some free wallpaper to decorate your desktop, laptop, tablet, or mobile device. These are completely free to download. Just right click on the size that you need and you will be all set. To find out which size you need, click here.

    Both images are taking from our Coupon Calendars that we sell online and in our stores. Click here to find the Growth in Faith Calendar and the He Refreshes My Soul Calendar.

    Facebook 800 x 600 1024 x 768 1280 x 960 1280 x 1024 1600 x 1200

    Mobile 1280 x 720 1280 x 800 1438 x 900 1680 x 1050 1920 x 1080 1920 x 1200

    Facebook 800 x 600 1024 x 768 1280 x 960 1280 x 1024 1600 x 1200

    Mobile 1280 x 720 1280 x 800 1438 x 900 1680 x 1050 1920 x 1080 1920 x 1200

     


    This post was posted in Art and was tagged with Featured, Wallpapers

  • All You've Ever Wanted (lyric video) from Casting Crowns

    Posted on September 27, 2013 by Family Christian

    So many of us today are simply surviving. But we were not made to survive, we were made to Thrive! Like a tree planted by the water (Jeremiah 17:7-8) we should be digging into God's word to know Him and know who He has made us to be. We should be reaching out to the world and showing others who He is through our lives and our stories - knowing Him and making Him known.

    Thrive, from Christian music’s flagship artist Casting Crowns, is packed with the band’s signature style of songs about real life that redefine our identity in Christ, pointing us to our purpose from Him so that we may carry it out through Him. We were made to THRIVE!

    Check out their new lyric video for All You've Ever Wanted.

    What do you think of the song?


    This post was posted in Music and was tagged with Featured, Casting Crowns

  • POWERFUL PLEA FOR SAEED ABEDINI FROM 7EVENTH TIME DOWN

    Posted on September 25, 2013 by Family Christian

    A new music video from Kentucky-based 7eventh Time Down features an emotional message from the family of Saeed Abedini, an American pastor, father and husband currently imprisoned in Iran because of sharing his Christian faith.  The video for “Just Say Jesus” – the title track and latest single from the band’s sophomore project which released earlier this month via BEC Recordings – is in support of the Be Heard Project and the American Center for Law & Justice (ACLJ) in an attempt to free Pastor Saeed from one of Iran’s most brutal prisons. The video was directed by Kevin Kookogey for First Company Management.

    “I pray that this video can be a loud voice in the conversation God is using to soften the heart of the Iranian government to release Saeed back to his family,” said Mikey Howard, lead singer of 7eventh Time Down. “We can not be silent.”

    On Thursday, Sept. 26, prayer vigils around the world will take place, including events planned in Brazil, Germany, Kenya, Portugal, Puerto Rico, Russia, Uganda and in over 80 cities in the U.S.  7eventh Time Down encourages fans to watch the video for “Just Say Jesus,” learn about Saeed’s story and pray for his immediate release back to his family and home in America.

    Almost one year ago to date, Pastor Saeed traveled to Iran in order to obtain approval from the Iranian government for a non-sectarian orphanage.  Two days before he was to return to America, Pastor Saeed was arrested and immediately put under house arrest for his faith and association with other believers.  It was shortly thereafter that Pastor Saeed would be sentenced to serve eight years in Evin Prison, an institution known for its ruthless and inhumane treatment of its inmates.

    Spearheaded by Saeed’s family and with the help of the Be Heard Project and the ACLJ, an international petition has commenced and hundreds of thousands of signatures have been obtained to demand the release of this innocent man.  7eventh Time Down sought to bring attention and awareness to Saeed’s story via their music video for “Just Say Jesus,” which features national news footage detailing his imprisonment and images of him and his family interspersed during a live performance of the song.

    Most recently, Saeed’s wife – Naghmeh Abedini – personally delivered a letter pleading for her husband’s release to Iranian President Rouhani after their chance meeting in New York.  Among her letter are over 90,000 others that have been sent to Iran’s new president on behalf of Pastor Saeed.


    This post was posted in Music and was tagged with Featured, 7eventh Time Down

  • Newsboys - Live with Abandon (video)

    Posted on September 24, 2013 by Family Christian

    Continuing their reign as one of Christian music’s most popular and compelling groups, Newsboys returns with the album Restart, featuring the single "Live With Abandon." With former dcTalk member Michael Tait on vocals, Newsboys makes a unique connection with every listener.

    Check out their new video for their new single, "Live With Abandon" here:

    What do you think?


    This post was posted in Music and was tagged with Featured, DC Talk, Newsboys

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2. To your store (no minimum order required!)*

At checkout, select "Ship to your local Family Christian store" and enter your zip code to find our closest location. Not sure if there is a Family Christian nearby? Find your local store now.

* Valid on select merchandise only
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