In Unspoken, from bestselling author Dee Henderson, a family legacy brings Charlotte back to Chicago, where a reporter is writing a book about the kidnapping. The cops who worked the case are cooperating with him. Her options are limited: Hope the reporter doesn’t find the full truth, or break her silence about what happened - but her silence is what has protected her family for years.
Charlotte Graham is at the center of the most famous kidnapping in Chicago history. The task force of FBI and local cops found her two abductors, killed them and rescued her, but it took four very long years. The fact that she was found less than three miles from her home, and had been there the entire time, haunts them. Now, she’s changed her identity, found a profession she loves, and rebuilt her life. But she’s never said a word - to the cops, to her doctors, to family - about those four years.
Charlotte wants to trust him. She needs to tell him what happened. Because a crime cops thought was solved has only opened another chapter...
Talk about suspense...
We asked Dee a few questions regarding her new book, Unspoken.
Is your new novel Unspoken related to Full Disclosure?
Unspoken is Charlotte Graham and Bryce Bishop’s love story. Bryce Bishop is a good friend of Paul Falcon, so I took advantage of that fact and brought back Ann and Paul Falcon during the investigation within Unspoken. I like being able to continue on with characters and see the next chapter in their lives.
Are you constantly creating new plot lines in your head?
I work on one book at a time, but I’m a slow writer. It’s not uncommon for me to spend three months searching for an idea, writing down scenes until I find a good story spine. Then I spend about five months writing the story, and another three months fixing the story with the help of good editors. I’ll start that process with maybe ten or twelve ideas from my idea box. I write down every idea I have, even if I have to get up in the middle of the night and reach for a notepad. Ideas are like nuggets of gold, some I can use immediately, while others haven’t found a story yet. The ideas are accumulated in a box behind my desk. I think of that box as my security blanket. If I am really stuck, something in that box might generate a place to start.
Who is your favorite author?
Francine Rivers has written some beautiful and timeless stories. I like reading Nora Roberts—I love her characters. I’m currently reading all the Robert Parker Spenser novels; the early ones in the series are worth tracking down.
What inspires you to create your art?
God designed me to be a storyteller. It’s what I enjoy doing with my time. The hours involved in figuring out a story are a process of discovery. All the work involved is trivial compared to the joy that is that moment in time when story threads come together and I can see a book and how its components fit together. It’s a very unique point and something I look forward to with every novel. I’ll often mention to my mother, “I’ve got the story done. Now I just need to sit and write it down.” The rest of the job is tinkering to find the right words for a scene, to cut out what doesn’t need to be on the page and put down what does need to be there. Compared to every other job I’ve done, writing is the most absorbing and fun. I’m inspired to create stories because I want to write the end, and then tell God—I wrote another story, would you like to read it? And hope God likes it as much as I do. The stories are gifts I can give back to God that I hope He enjoys. And I can create them with only paper and pen, so I’ve been making those gifts for God since I was a little girl.