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  • Tenth Avenue North - The Struggle

    Posted on June 25, 2012 by Family Christian

    Acclaimed band Tenth Avenue North announces “The Struggle” fall tour, its biggest headlining tour to date, visiting more than 35 cities from mid-September though late November.  The tour, featuring guest artists Audrey Assad and Rend Collective Experiment, will support Tenth Avenue North’s Aug. 21 studio release, The Struggle, whose lead single “Losing” debuted with an incredible 73 adds out-of-the-box that included the KLove, WAY-FM and Air1 networks.

    Kicking off Sept. 13 in Sewell, New Jersey (Philadelphia area), “The Struggle” fall tour will hit major markets including New York, Baltimore, Washington, D.C., Pittsburgh, Indianapolis, Cincinnati, Detroit, Chicago, Minneapolis, Denver, Salt Lake City, Seattle, Phoenix, San Antonio, and Houston, among others.  Singer-songwriter Audrey Assad and Kingsway artist Rend Collective Experiment will join Tenth Avenue North, who will perform new music from its latest project as well as fan favorites.

    The tour is named for Tenth Avenue North’s third label project, The Struggle, available for pre-order now, with a street date of Aug. 21.  Produced by six-time SESAC Christian Songwriter of the Year, and two-time GRAMMY nominee, Jason Ingram (Chris Tomlin, Sanctus Real), The Struggle is a bold, creative leap forward for the band, reflecting influences ranging from fan insight to the addition of two band members to a new recording process.

    For more information on “The Struggle” fall tour, visit: www.thestruggletour.com

    For information on how to prebuy The Struggle, click here

  • All Things Are Possible

    Posted on June 11, 2012 by Family Christian

    If anyone knows about possibilities, it’s Mark Schultz. Whether selling out the famed Ryman Auditorium as an indie artist and youth leader, biking 3,500 miles across the U.S. to raise money for widows and orphans, or becoming a platinum-selling artist, award-winning songwriter and 14-time Dove Award nominee, Schultz has made the most of the many gifts God has given him.


    Now, with his much-anticipated new studio project, All Things Possible, Mark continues to create very personal songs that showcase his knack for giving voice to the emotions we can’t express on our own. Producers Seth Mosley (Newsboys) and Pete Kipley (MercyMe/Phil Wickham) make the most of this talented musician’s God-given gift for storytelling, making sure the music beautifully complements the spiritual tales he’s telling.

    This isn’t just “the next Mark Schultz album,” though. From the first notes, it’s clear that Schultz doesn’t just have a new record label home, he also has a new energy and a fresh perspective after more than a decade in the music business. At the same time, he’s an artist who knows who he is. Songs of encouragement, stories of hurt and healing, and an ever-present reliance on God continue to be unshakeable cornerstones of any music Schultz makes.

    While this album marks a new chapter, he’s still the same voice behind hits like “He’s My Son,” “He Will Carry Me” and “Letters from War.” Listening to All Things Possible is like rediscovering an old friend and finding him at his absolute best, anxious to share all that God’s been doing in his life. You won't want to miss it!

    Prebuy Mark's new album here.

  • FREE Download from Jimmy Needham

    Posted on June 8, 2012 by Family Christian

    Here is a present for you. It's our way of saying "Happy Father's Day."

    If you are not yet familiar with Jimmy Needham, we strongly encourage you to check his music out. If you are a fan of singer/songwriting material, then Jimmy should fit great in your collection.

    Mr. Needham came on the music scene back in 2005 with his first independent release titled For Freedom. Then in 2006, he signed with inpop records. His songs that have appeared on radio charts are "Dearly Beloved," "Lost at Sea," and "Yours to Take."

    On Jimmy's latest album, Clear the Stage, he has a song that he wrote for his daughter titled "Daddy's Baby Girl." In honor of Father's Day coming, we would like to give it away for free.

    You may download the song by clicking here.

    Also, check out this video from Jimmy sharing about being a father.

    For a laugh, check out a recent video that Jimmy made when he stopped by our office.

    Jimmy Needham albums:

    Not Without Love


  • New TobyMac Me Without You single

    Posted on June 4, 2012 by Family Christian

    Here is the lyric video for the new TobyMac "Me Without You" single.
    Let us know what you think of it.

    You may purchase his new single here.

  • More than Conquerors

    Posted on April 24, 2012 by Family Christian

    Filled with gritty resolve and a special measure of God’s grace, Marvin Sapp’s newest record (and life) reminds us that we can defeat any obstacle through Christ.

    FC: What was the biggest inspiration for I Win?

    Marvin: I titled this CD I Win because I want to affirm for myself and for others that the winning is in the enduring. People have a perception that the winner is the one who crosses the finish line first – but I maintain that winning is not a destination but an attitude. I discovered the song I Win at a pastor’s conference a while ago – a young singer named Brittney A. Wright co-wrote and performed it. I was so very impressed by the song I asked her if she would allow me to record it, and a year and a half later I did.

    Family Christian: To date, your live albums have been recorded in your hometown of Grand Rapids, MI. What led to choosing to record this album near Washington D.C.?

    Marvin Sapp: I recorded the album near D.C. at Evangel Cathedral, simply because that was one of the first places I ever did a concert when I first started in the Gospel music industry some 22 years ago. I was in Commissioned and one of our first concerts was [there]. I’ve had a great relationship with that church for literally 22 years. As bad as I wanted to do the new recording in Grand Rapids where I’ve done all of my live recordings, it was just too close of a reminder of having buried my wife. She was always a part of my recordings because she managed my career. So, since I wasn’t going to do the recording in my city, the only place I could think to take it was to [the] family that’s not here, and that was Evangel Cathedral.

    FC: Your Twitter page includes the quote “I’m a preacher that happens to sing, not a singer that happens to preach.” How do you balance these two distinct roles?

    Marvin: I always say that I don’t balance, I prioritize. Because, when you try to balance or juggle, something inevitably is going to fall. The call on my life is to preach. I started preaching when I was 22 years of age, and that is what I prioritize. The music is an extension of my ministry, it is a gifting, but I keep it in its rightful place based on God’s call on my life. The gifts come without repentance. I’ve learned that you can be gifted and anointed and live like the devil. In order to be successful in your call, though, you have to tap into the Source. The only way that you can maintain being connected to the Source is you have to live a life that’s holy and acceptable in the sight of God. That’s one of the things we don’t talk about anymore in the church, and that’s trying to live holy. I challenge people who live close to me, next to me, with me that they have to learn to strive to live holy at all costs. Everything else springs forth from that.

    FC: Your life took an unexpected turn in 2010 with the loss of your dear wife. How has that affected your approach to ministry/music?

    Marvin: One of the blessings was that all of my contracts were negotiated by MaLinda already so it hasn’t affected my business at all. My booking office still does what it does. I’m still turning down a bunch of different dates… Opportunities are still there because we built a great staff so it hasn’t been difficult to move forward. Musically, I continue to record songs that I connect with because I know that those are the songs that will connect with people. MaLinda also laid out in great detail how things would move forward at our church, where she was the administrative pastor. So my approach in both ministry and music has been to adopt a motto that MaLinda had and said all the time:  “keep it moving.” That is what she wanted me to do.

    FC: What helped you through that time?

    Marvin: For me, prayer, praise and worship absolutely sustained me through the bereavement of my wife. I know I would not have been able to endure that great pain without God.

    FC: What is your favorite moment/song on the record, and why?

    Marvin: A standout moment was definitely the “Hymns Medley.” I grew up on hymns and my mom kinda taught me almost every hymn I know. When we were doing the recording, the “Hymns Medley” just happened. We were transitioning between songs and I just started singing hymns. At first, it wasn’t even supposed to go on the record. We were going to drop it and then the staff was like, “No, this is unbelievable. It’s gotta stay.” So, we just ended up putting it on the record - but I was just singing things I grew up listening to from traditional hymns to Andrae Crouch. And [so] we just went back and forth and people were blessed by it and I enjoyed doing it. Hopefully, people will love it when they hear it on the record.

    FC: For all of the recognition you’ve received over the years – is there a specific honor that has meant the most to you? And if so, why?

    Marvin: [laughing] The BET Award for Best Gospel Artist – because my kids were so excited about that! Honestly, every award and recognition is a very humbling experience.

    Click here to experience the passionate Gospel-energy of I Win.

  • Review of We Once Were - Rush of Fools

    Posted on December 13, 2011 by Family Christian

    After an unexpected and uncontrollable hiatus, Alabama rock group Rush of Fools is back with "We Once Were". Their third album is a hit from the get go with driving rhythms and heavy guitars. It's obvious from the lyrics and sound that the group is back with a lot to say. "We can't go back to what we were before because we were so changed by the events that occurred along the way," says guitarist Kevin Huguley, "...we learned how to count it all joy by writing songs in the midst of the storm...Had we not walked through so many trials in the past two years of our career, we would never have the songs that are on this record."

    That feeling is carried through the twelve track album with an upbeat yet contemplative feel. Songs such as "A Civil War" and the last track "Inside and Outside" best reflect this with lyrics like "It's time to bow out of this race/ About time for me to be in last place/ I got myself in a civil war" and "I'm not over/ I'm not finished yet I've got a ways to go/ I'll be alright/ When it comes down to that moment when our dreams have lost their way/ I'll be alright".

    "We Once Were" has a creative raw texture, almost an indie feel to it. A great example is track eleven "Help Our Unbelief" which starts out with an organ like a classic horror movie. Although somewhat short lived, still a unique sound you might not expect from the group.

    It's obvious a ton of heart and thought went into this recording. Front man Wes Willis says "We gave this recording all of ourselves... We spent over a quarter of a year away from our families and friends on this one...The difference is night and day compared to the first two releases." Just about every song will be stuck between your ears because this album is so infectious. Rush of Fool's fans will love this latest release, not to mention all the new fans they're going to garner from this immediate classic.

    Check out the album here: http://www.familychristian.com/we-once-were.html

    By: Kevin Thorson


  • Tidings of Crowder & Joy – An Interview with David Crowder

    Posted on November 11, 2011 by Family Christian


    Family Christian Stores: This is the band’s first Christmas CD. What inspired you to create one after all these years together?


    David Crowder: Well, I think when you form a band you know that it is inevitable you make a Christmas album. It only took us 11 years to pull it off! We were actually supposed to start work on our last album in January and instead of making any headway on it, a Christmas album popped out. I would get calls from our label asking how the new recording was coming along and I responded, "Are you feeling festive?" We didn't mean to make this album, but Christmas apparently, was still in the air.

    FCS: Since Christmas music is so regularly covered, how do you find something that hasn’t been done before?

    David: Well, the beautiful part about the Crowder*Band is that we are a collection of six different folks with varying tastes in music, so for us to revisit some of the classic carols would, by default, turn out a bit different than what you've heard previously. It's really something special when you consider it a conversation; that everyone's voice is important. It gives it an eclectic blend that is compelling, I think.

    FCS: Do you have a favorite song on the album? What makes it special to you?

    David: My favorite song on the album is “Silent Night.” I think the reason that I love it so much is because the center is people in the room with us when we were playing. Plus, the outro was a rather spontaneous thing that turned out better than I could ever have hoped for!

    FCS: There’s a very unique bluegrass version of ‘Angels We Have Heard on High’ on the record. What influenced that musical direction?

    David: We became intrigued with the genre a number of years ago. If you could have ever been on tour with us, you would have heard us sitting around in the dressing room together playing old gospel songs or bluegrass tunes. So, this one just sort of popped out. It's rowdy, fun and very unlike any version of this song I've heard. But I think it is completely appropriate, given the subject matter. Christ has come and that is reason to celebrate and throw a hoedown of sorts!

    FCS: Do you have any special holiday traditions as a band?

    David: Actually as a band we have always taken December off so that we could be with family. It's been rather annoying for all of those wonderful people attempting to book us during the holiday season, but we've been careful about keeping those days set aside for family.

    FCS: You’ve been very open that the album you’re currently working on (Give us Rest) will be your last. What can we expect to hear?

    David: It is the last offering we will have as a collective and it's turned into the most ambitious offering we've had since we formed in the year 2,000. It's the most music we've ever put in one place at the same time. We have composed a ‘requiem mass’ that feels like all of our explorations as a band in one place. We absolutely can't wait for people to hear it.

    FCS: So how will everything wrap up?

    David: Our final CD will release January 10th. I couldn't be more pleased with the songs we've collected for it. We will play together as a band for the last time at Passion 2012, a collegiate conference in Atlanta, GA. The album will release shortly thereafter.

    FCS: And finally, are there real Crowder*Band nutcrackers, as seen on the album art?

    David: I wish! We're actually working on that and if it happens, you'll be able to find them on our website.

    FCS: Thanks for such a fun interview! We wish you a wonderful Christmas & a memorable final tour with the band.

  • Mother, Artist, Activist. Meet Sara Groves again for the first time.

    Posted on October 27, 2011 by John van der Veen


    Sara is a kaleidoscope of colors. With every record she creates we, the listeners, climb a little closer to her heart and discover something new about her character. Her honesty, vulnerability and artistry are what make us feel so connected and keep us so inspired. We recently caught up with Sara to hear about what big, new things are happening around the Groves home and discover the backbone of her new record, Invisible Empires.

    Family Christian: What does Invisible Empires mean and how did the name come about?

    Sara Groves: Well, I never fully know what I’m working on [when I start writing] – such as a theme, but inevitably the songs will start to overlap, and I’ll start realizing ‘oh this is all kind of about the same thing.’ It’s always a mystery for me when I’m working on a record, figuring out what the hub of the wheel is. And I feel with this record the hub ended up being a lot of what I was reading from Eugene Peterson’s book, A Long Obedience in the Same Direction. He talks about Psalm 127 which says “Unless the Lord builds the house, the builder builds in vain.” He says the work of man is frenetic. We chase after things, it’s futile. He says literally, man works like the devil, and then he compares that to the work of God. He says the work of God is a lot like pregnancy, you’re making a human being. You’re doing quite possibly the most important work you’ll ever do, but you’re not really doing anything. You’re just getting out of bed, and walking around and eating. As a mom, having carried three children I can appreciate that metaphor. So this whole record is really wresting with the fact that a lot of times I feel like I’m working like the devil. ‘How on earth do I get to that place where His yoke is light, where He’s making my paths straight?’ So this record is looking at the flawed areas of my life where I’m really worrying a lot [and asking], am I seeking stuff on my own and how do I work with God, letting Him work through me?

    FC: And so the Empires are Sara’s empires?

    Sara: Yeah, Invisible Empires to me talks about what Eugene talks about, and what’s in 2 Corinthians: the unseen world – the work that God does – is eternal and real. The Kingdom that He’s building is real but invisible, and then here we are building what we think is real but it’s actually virtual. I look at technology a lot because I feel like it’s something we’ve got to stop and question, ya know? Right now it’s sort of running ahead unabated and I feel like we’ve got to look at it and say ‘Ok, I’ve gained all of these conveniences, but what did I lose?’ And that to me is all part of the same idea of man-made work. We literally worship the things that we’ve made with our own hands. That’s as old as mankind, that problem. I just want to ask the questions about the stuff that falls in with man-made struggle and that frenetic life.

    FC: So the cover kind of also tells that story, right?

    Sara: Well, you’ve got the dark city which might be like man-made cities and behind is this ethereal Kingdom of God. Again, the invisible things of God are more real than the visible things of earth. And then you see a sound wave and that’s actually me singing the words ‘invisible empires’ from the song “Obsolete.” So it’s sort of an embedded message inside the cover. When people get the actual record there are midi files which look like flowers. When you play the piano in a midi file, it looks like flowers with stems and those are also decorating the artwork throughout. So we kind of merged this idea of technology and the spiritual world. We were trying to capture all of those ideas.

    FC: You’ve talked about technology and how at times it could be a big hindrance to our lives, not necessarily a convenience. How does the Groves family ‘unplug’?

    Sara: I have a friend Miranda Harris who says ‘technology is a great servant and is a horrible master.’ I feel like my job as a parent is to get technology into that place where it is under our feet, not mastering us. My husband and I really struggled with watching TV too much and our kids basically had a video game addiction. So as a family, about 2 years ago we did a media fast for the entire summer. We thought, in Minnesota you gotta get outside in the summer! So it was really hard, but we drew a deep line in the sand. [We decided] for the next 3 months we’re going to abstain from everything; we did a whole media fast. And then we talked about what we would add back in.  It was really neat. The conversations were really healthy. I think having been detoxified, my kids were able to talk about it reasonably – in the past they couldn’t even talk about it, like it was their obsession. We were able to decide that 30 minutes a day with video games was enough for us and that we didn’t want to let the TV back in because it was definitely eating into all of these things we discovered. We still to this day don’t have cable, but we do have a physical TV that we watch a movie occasionally on, but those are some steps we’ve taken. Troy and I try to keep our online life really to our business or the music, connecting with fans and stuff.  I’m not on Facebook at all. As soon as Facebook came out it was a divine moment for me because I knew it would feed into all of my vices so it was something I wouldn’t be able to participate in.  I basically heard God say, other people get to do this but you don’t (laughs). So we do other stuff that will feed into our Facebook page, like I write a blog occasionally and Troy does Twitter a lot. I just really felt that it was going to keep me away from my family, from my kids and the people that I really want to be physically there for. So anyway, that might seem radical to some people and I’m not saying that this is in anyway a judgment or a law, but those are some of the parameters we’ve drawn.

    FC: So that’s how the Groves family operates…

    Sara: Yeah, that’s how we roll.

    FC: When you look at the overall record, you do talk about busyness, technology, all these sorts of outside influences coming into us – but there are a few other themes in the record as well. What else is there?

    Sara: In ‘Finite,’ the first line of the song says, I’m not every woman, it’s not all in me. I was sitting across the table from Jill Phillips and we were both feeling absolutely exhausted, pulled in a million different directions and she said the word ‘finite.’ I latched onto that and said ‘there’s a song in that word.’ So we sat for the next two hours and worked on that. In ‘Mystery,’ I talk about trying to bring God to earth somehow as if I could specifically do that. In ‘I Will Wait for You’ I say, I’m going to wait for You now more than ever. I can work like the devil, but that can’t really be my way, I have to wait for You. So it is my weariness at trying to do all of this work by myself and trying to make the Kingdom come. You’ve (FC) followed us as we were embarking with International Justice Mission, and we still work with IJM, (we have the song ‘Eyes on the Prize’ on this record that’s about their work). But I think I jumped in with two feet and started taking off, maybe getting a little ahead of God a little bit. And I had to realize and say, Ok, I can’t change the world, God will change things through me and He can change me. I have to wait on the Lord, and say I’m waiting for whatever You’ve got for me, and I don’t want to get ahead of You anymore. And then tying that in with the idea that I want to be about Your work, not my own work, not my own kingdom but Your empire. So that’s definitely, I would say, the river that runs through the whole record. Honestly, it’s a tired mom trying to figure it all out saying ‘I think You have more rest for me than this and I don’t think that all these things I feel obligated to are You. I think I’m obligating myself to things that aren’t necessarily God-centered.’ So how do I purge my life of all the distractions to really listen for the things that God wants me to do?

    FC: Through your art you’ve certainly opened up – whether it is marital issues, strengths, weaknesses, parenting, you’ve shared a lot that maybe other artists are uncomfortable doing. It has certainly made an impact on people. When you look at Invisible Empires, do you feel that you’re following along that same path, opening up that heart again to the public and saying ‘here we are, this is our life?’

    Sara: Yeah, ya know Fireflies and Songs was a very personal record and almost every song was me lying on the operating table. With this record I did pick up again kinda like with Tell Me What you Know and Add to the Beauty where I looked at some other things that were happening in the world. ‘Scientists in Japan’ is about bioethics (laughs), that’s not necessarily where you find me at home opening up own personal heart. So I did return to some other broader, cultural themes in this record, but there definitely are some. ‘Mystery’ would be a deeply personal song about my last couple years’ struggle with anxiety and walking through fears. I couldn’t feel God in the traditional ways I had felt Him. I’ve always had very emotional connection to God. So basically in dealing with the anxiety and panic attacks I was having I had to tell myself, my emotions are not my reality. The way I feel is not real right now! I feel like I’m going to die, and I’m actually not going to die, I’m going to be okay. But I had to deny my emotions. For a good year and a half I just rehearsed that. My emotions are tricking me, they’re not reliable. And so having had an emotional connectivity to God, it impacted the way I would feel when I would pray, everything, how I sensed God. But in the place of this emotional sort of thing I’ve always had of God, this other sense of His presence has come, that I’m really grateful for. I don’t think I would have gotten there without this whole experience, but He has been so faithful to me, and so present. Not in this emotional way where I’m “Oooh! I feel Him! I feel these emotional goosebumps!” It’s just been this solidness, I can’t even describe it. It’s literally just been a season of manna. So ‘Mystery’ is definitely a song where I’m confessing that I’ve just been working at this, trying to pull God down, I’m physically tired from trying to bring ‘Your kingdom come on earth’ And saying ‘I must not be doing it right because I need a rest. But You will meet me again. You will show up, it’s not about me, it’s about what you’re doing.’ ‘Miracle’ is a very personal song about marriage and relationships. Feeling things I can’t feel, saying things that are hard to say, not just in my marriage but in friendships. So yeah, I definitely have moments where I’m writing from that very deep personal place, and then I have other things where I’m revisiting things like I have in the past, cultural movements and events. Things that I feel like I want to ask a question about before we run full force ahead (laughs).

    FC: So yeah, tell us about ‘Scientists in Japan?’ Where’d that come from?

    Sara: Well, so in the very beginning of that chapter in Long Obedience… there’s a quote that Eugene Peterson pulls out from a French philosopher and says [something like] The marker of this day is that we set great machines in motion without any idea of where they are headed – I’m butchering thisbut he says, how tremendous the means with no concept of the end. We set machines in motion without any concept of where we’re headed. We just set things in motion, set things in motion. So I was at this think tank with Christian leaders and this bioethicist look the stage. He said literally there are only a handful of us who are Evangelical in the field of bioethics, and he had spent a year of his own time going around to all of the Christian colleges asking them, begging them to start carrying at least a minor in bioethics. There’s not a single Christian college, university of liberal arts or otherwise that is carrying a minor in bioethics. And the response was the same, well, students aren’t coming here for that, they go to the universities for that. Well exactly! We’re giving the entire field over, he said, we can’t talk about these things in churches. If I were to stand up on a Sunday morning and say “Scientists in Japan are building a robot to take your job,” I would be booed off the stage. So ya know, the little feisty part of me said, I’m gonna write a song, hopefully a whimsical one, that starts with that line (Laughs). It was compelling what he said, ‘you will face ethical challenges as you care for your aging parents, unless you think about it, you will be caught off guard.’ And that spoke to me. I will one day be caring for my aging parents, and I need to know what I think about life and death and all of the things between those.

    FC: So you and Troy are working alongside Charlie Peacock on an ‘Art House north’?

    Sara: We are. We are hoping to get an offer on our house this week. We’ve purchased a 100 year old church, and the Art House in Nashville is a 100 year old church, that is also the studio and home of Charlie and Andrea Peacock. So we asked him about four years ago, ‘would it be possible for us to partner with you in this way?’ and they were excited, so we’ve been looking for properties. The byline of the Art House is ‘creative community for the common good.’ So basically the goal in the simplest form is, artists often work in isolation but we want to give them a reason to gather whether formally or informally, and we believe that sparks will fly when they get connected. So we’re hoping that people will respond to the different artist forums and things that we hold at the Art House. I really believe something creative and new that our city has never seen will be born out of artists connecting with other artists. So that’s our dream. We’re going to live in the church, we’re building out a parsonage in the basement, and then the whole building will be used for hospitality and events. So that’s where we’re headed!

    FC: Ok, so last question. We know you started homeschooling this year. Can you briefly tell us about your experience? And are you homeschooling all three kids?

    Sara: I am sending Ruby to preschool, that gives me time with the boys that I need, they’re 5th and 3rd grade. [It was] a little bit out of necessity but it was also [a result of] a neat experience with a missionary family that put us squarely in the homeschooling camp this year. A friend of ours from IJM called and said my hero in the faith is coming to the United States and he wants to meet you. He’s a missionary in Burma doing incredible, incredible things. So we cleared our calendar and they came, and they were a team, Team Eubank. And in talking with Karen Eubank (the matriarch), I just caught a vision for us that I haven’t had before. We’ve always been Team Groves but we were doing a lot of things by putting the kids in school, a lot of gymnastics and things to keep them in the sort of ‘normalcy’ of public school, whatever that is, and we just all of a sudden felt really free and called to homeschool. We really call it ‘world school,’ we like the term. It’s been surprisingly joyful; I thought it would be more stressful than it’s been. I actually feel like we’ve simplified in a lot of ways, and the boys are thriving. And I’m having fun, the teacher in me is waking up and it’s really been joyful! That’s the only word I have for it. So I don’t know how long we’re going to do this, I don’t know what God has in mind for us, but it has been a huge blessing.

    FC: Ok, we said that was the last question, but one more. Candy corn or the fake pumpkin candy corn things?

    Sara: The real deal, that’s so funny. I just went on a trip where I wasn’t with my husband or my kids and I got a glimpse of myself without any checks and balances (laughs). I didn’t mean to do this, but I went to the grocery store and before I knew it, I had a bag of candy corn and like, all kinds of terrible snacks. So over the weekend I ate an entire bag of candy corn! If my kids were there, or if Troy was, I never would have done that… but I got a little freedom and I just went nuts and ate a whole bag of candy corn. So yeah it’s definitely a favorite (laughs).

    FC: Sara, thanks so much for taking the time to talk with us today. We love your music and message – and wish all the very best to you and your family.

    To learn more about the International Justice Mission or the Art House North that the Groves are busy creating, visit www.saragroves.com.

    Bonus video - Sara singing Eyes on the Prize

    Further insights into Invisible Empires

  • Review of Vice Verses - Switchfoot

    Posted on October 22, 2011 by Family Christian

    Here it is, the highly anticipated album of 2011 Switchfoot's "Vice Verses". The second from the group since leaving Columbia Records and moving to their own lowercase people. A move I highly agree with after their amazing release of "Hello Hurricane" in 2009.

    "Vice Verses" is exactly what I was looking for, a continuation of their last album mixed with some hints of old and yet some stretching musically into other creative avenues.

    Frontman Jon Foreman on the title of the album: "The whole thing is about polarity. We wanted to write about the polarity of what it means to be human, the lights and darks. I'm always intrigued by the tension that exists between life and death." The twelve tracks sum it up well with a lot of ups and downs both musically and lyrically.

    The first track "Afterlife" begins with guitar only as Foreman enters. An almost classic sounding Switchfoot and a great way to start off the album. "The War Inside" has an almost "The Sound" beginning to it. Listen carefully because it's got a very unique and addictive music track.

    Song four "Restless" has a rock worship feel to it that could have been sung by Bono. I just had to play the end of the song a few more times because it's that good. "Blinding Light" is a song about searching for hope and finding it "Deep down there's a hope inside / You got wings but you're scared to fly / wake up, wake up".

    The sixth track "Selling the News" is a commentary on the sensationalism of, well, the news: "Substance, oh substance where have you been / you've been replaced by the masters of spin". "Selling the News" definitely stands out with Foreman speaking, not singing, the verses. I can already see the music video of Foreman in a news room or war zone reporting/performing this song.

    Can't get your fill of hard hitting vocals and blazing guitars, then play "Dark Horses". One of the coolest rock songs I've heard in a while. I'll be playing this one too much, way too much and way too loud. So will you.

    "Souvenirs" is a beautiful track with great lyrics "These are my souvenirs / the memory of a lifetime". "Rise Above It" is a fun song that is slightly different and changes up in a lot of places throughout the song. Very fun lyrically also: "Just because you're present doesn't mean that you're here".

    Title track eleven "Vice Verses" is one of the best songs on the album and an instant classic. It contrasts life and death in a very thoughtful and memorable way: "You got your babies / I got my hearses / Every blessing comes with it's set of curses". And in true Switchfoot fashion gives you a lot to think about.

    The final song "Where I Belong" is a good wrap of the album. It has a mid tempo 'good feeling' anthem to it that makes you want to replay the album all over again. So I did.

    Switchfoot's "Vice Verses" has exceeded my expectations. A perfectly executed album with loads of 'classics in the makings'. No trendy synths or unnecessary auto-tune here, just straight up rock, pure and thoughtful, what Switchfoot does best. And when they're at their best, they're amazing.

    By: Kevin Thorson


  • TWO FOR ONE - an interview with Shane E. from Shane & Shane

    Posted on October 18, 2011 by John van der Veen


    The current landscape for Shane and Shane looks significantly different than when they became friends in college. They’re husbands, fathers, and now worship leaders at their local church in Dallas. This year they even signed with a new record label, Fair Trade Services. We caught up with Shane Everett about this new season for the duo, and their recent release of The One You Need.

    Family Christian: This record is distinctly different than many of your others, stylistically and even in the overall tone of the message. How did you land on this direction?

    Shane Everett: Maybe I should start a little further back. We changed record labels and started demoing songs. We were really working through what we wanted to say to our community, which was the first time we’ve ever written from a ‘non-devotional-type’ place. We started asking the question “Lord, what do you want to say to us?” That sounds pretty elementary, but it was kind of a new thing. We’re part of this collective of people (The Oaks Fellowship in Dallas, TX) who are pursuing the Lord together. When you get involved in a local level it’s eye opening, ya know? There are people with a lot of hurt, issues, [you’re] walking with people through stuff. So I think we were just in a different place, asking different questions than we’ve ever asked before.

    FC: There seems to be a variety of genres represented on the album – was that intentional, or did the songs just seem to take on lives of their own?

    Shane E: We said, “Ok, let’s approach this by saying that nothing is off limits.” So any idea that the team had, we said “Let’s try this on one song... Ok, scrap that. Let’s try this on another song.” We just had a blast making this record, and hopefully that comes through. We were invigorated, it was a new season, and we were asking different questions. So if it feels different it’s probably because the approach was completely different. We were just like “Man, let’s seek the Lord, have a good time making a record and say the things that the Lord puts on our heart.”

    FC: What led to your new role as worship pastors?

    Shane E: Well, the college that we’ve been involved with, Southwestern Seminary, had a leadership program that was 90 students. They would work with a local church and study in one of three different tracks: evangelism, pastoral and missions. So they asked us to come be part of a worship track and they would add more students. Now we have 35 worship interns. They do normal curriculum at the school and then come to see us for ‘lab’ time – six hours on Mondays. We do songwriting, and discipleship. So that’s our portion. [The interns] also have a theory class and some other stuff, but our specific role is in the songwriting and recording part of the program.

    FC: That’s awesome! Not going to guess here but, coffee or Red Bull?

    Shane E: Oh, coffee man!

    FC: So, in this six hour period of time, how many cups of coffee do you and the other Shane consume?

    Shane E: (Laughs) Ya know, we actually don’t drink any coffee then!

    FC: Well, for being in a class 6 hours, you certainly have your job cut out for you, to make sure it’s all interesting and engaging…

    Shane E: Yeah, well, I’ll tell you this – we have such a good time. This is how a basic class works: The students don’t go to class, they come to us. We have a new studio in a big, old stone house on 22 acres and there’s recording stuff set up everywhere, so it’s pretty high energy. They get there, and we’ll talk, have some snacks – we have coffee if you want it – and then a student will share his heart about a song and play it. Everyone has a lyric sheet and a chord chart, and we’re just making notes and giving critiques and reviews and then we mess with the song for a little bit. In the first few weeks everyone’s timid and it’s a little awkward, but after that everybody opens up. The students become pretty tight knit. We’ll ask, ‘What’s the message you’re trying to say?’, ‘What are you trying to communicate?’, ‘What’s the Lord telling you through this?’ So, that’s our role – less about the music, more about the heart. Then we collectively pick a song and produce and record that song all together. We’ll have a drum kit set up, so we’ll do a click track and record the drums, we’ll do bass, guitars, and then vocals – so everyone is super engaged. Everybody’s into it, as you can imagine. It’s pretty awesome for them.

    FC: You and Shane both have families now, and the writing on this record certainly addresses that to some degree. How much did your current family situation influence those songs versus what you’re doing over at the seminary?

    Shane E: I would say that four or five of the songs on the record came from class songs. Because we make them write a song every week, either Shane or I will have to write one each week too. So a lot of the songs came from that. But one song specifically is written toward our kids, Shane and I both have little girls. The title of the record is from the song “The One You Need.” It’s like, if we had to stand before our kids or our family and we had one thing to say, what would it be? We just want to let them know that Jesus is the One that they need. In a world where there’s a lot of competing world views and ideologies of how to find peace, ya know, there are a billion and one self-help books or even Disney telling them this is what a happily ever after looks like, we wanted to say at an early age, Jesus is the One you need.

    As men we want to be the one to take care of our families and our daughters. I want to give them everything - I don’t want to mess up. I want them to come to me for anything that they have and I want to try to fill that place in their heart. But eventually, Lord willing, this kid’s gonna grow up and move out and be on their own. It’s just a horrible thought for me (laughs), but one day it’s going to happen. I just want them to know that Jesus is the only One who can fulfill the deep places of their heart. The only one that can give them a true hope and a future. I hope this song resonates with my daughters throughout the entirety of their life. We want to point them to Christ as much as we can and this is just one of our attempts to sing and say that over them.

    FC: Do you think this song is the theme of the record?

    Shane E: It’s definitely the theme of the record. The whole record is very Gospel-centric, probably more than any other record we’ve ever done. I think we’ve written out of a devotional spot usually – something really introspective and this has been more of a ‘global’ Gospel record. We did it on purpose because we feel that the more we do this, especially being involved in a local community, man, we just need the Gospel. It’s the renewing power of the Gospel on hearts that is so huge. C.J. Mahaney said something that’s really resonated with me; we feel like in our Christian world we have the Gospel, we get saved and then we move on to bigger and better things, and I thought that was so true. It’s like we think ‘Oh man, I’ve got all this ministry to do,’ and ‘we’ve got the Gospel but that was 10 years ago.’ It’s coming back to that and letting it wash over us daily. It’s changed my life. Remembering what the Lord has done and remembering what He is doing through the renewing power of the Gospel. I keep saying the same thing but it’s become a residual prayer in my heart, daily in my journal “remember the Gospel, remember the Gospel, remember the power of the Gospel.” It’s become the heart beat of the record. It is devotional but it’s been a really good season to remember that.

    FC: Since you have transitioned from the ‘devotional’ place of writing to this ‘Gospel’ focus, do you think your listeners are ready to transition too? And were you at all scared, or do you think your audience is going to dive right in?

    Shane E: Hindsight’s 20/20, ya know (laughs). We HOPE they go with us. As an artist I think there’s already insecurity that comes from wearing your heart on your sleeve, which is what we do in our writing. A lot of the songs come out of our journals. Apprehensive is the nature of our business, for us anyway. Your art is special to you and we try as hard as we possibly can to make it as good as we possibly can. You never know, but the response so far has been really great. We played these songs for a bunch of people before and everyone seemed to be really on-board with the production, the songs, and the themes, so I think so!

    FC: We’ve really appreciated the direction that you and Shane have taken on this record. It’s really fresh and it’s a fun listen.

    Shane E: Oh, thanks for saying that. Honestly, we’ve had fun, we’re getting out there and taking breaths. Our label tells us they appreciate us; what we do. It’s felt like a team, it’s got energy. We’ve been really enjoying the process. I think the last four or five years we’ve been doing it and walking with the Lord, but we just didn’t feel like we were moving forward, if I can be transparent. We were on the road, writing songs, seeking the Lord, but I think that now being involved in the church community has pushed us over a hump – there’s a bunch of cogs in the wheel. A step back has given us a new heart, a new vision for the future. We’re more excited about this than we’ve been since, I think, our first record that we came out with - which is crazy. Don’t know how to say it other than to say that we’re having fun.

    FC: What is your preference, playing at a church or in a concert setting?

    Shane E: We like them all, it just usually depends on a crowd. Leading worship at our church we really enjoy, but just for having fun, we like an old theater or something with people who are the most engaged.

    FC: If you could choose anybody that you’d love to go on tour with, who would it be?

    Shane E: U2, man. That would be so awesome.

    FC: Ok, what about realistically?

    Shane E: The Crowders. They’re not going out anymore, but we did a tour with David Crowder*Band and that was the most fun touring situation. We love those guys so much, we’re great friends. Maybe we could convince David to go with us to do one more?

    FC: What book are you currently reading?

    Shane E: Multiple books, but I started the Chronicles of Narnia over and I’m almost done with that. Also, Justification of God by John Piper, again. It takes me so long, but it kicks me in the teeth everyday.

    FC: Thanks for taking the time to chat with us today. We really appreciate what you guys are doing out there. Take care!

    To learn more about the program that Shane and Shane are a part of, or to hear the songs created each week by the students, visit oaksleadership.com.

    Bonus videos - Behind the Songs:
    The One You Need


    Because He's God

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